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childishfluff · 4 years ago

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Angel Milk and Bargaining Naps- [Little!Ranboo/CG!Tubbo CGLRE Oneshot]

Summary:

Ranboo flies all the way to Britain to meet one of his friends, Tubbo. The trip is tiring, but he jumps straight into a stream alongside his friend. He's tired and needs a nap, and a joke from the stream causes him to slip. Immediately following the stream, he falls into littlespace and just wants to play, despite his sleepiness. Luckily, Tubbo is understanding and prepared, with a sippy cup of angel milk and a cookie for the little. And lots of determination that goes towards getting the boy to rest, even if it's only for a bit. Some warm angel milk and a few convincing deals should do the trick. -- This is non-sexual, sfw age regression, dni if you're nsfw/abdl/ageplay/cgl/ect. If any of the creators included in this work say *anything* about being uncomfy with fan fiction/of agere content including them, I will take this down and/or modify it appropriately. If they have already said something that I'm unaware of, please let me know.

A/N: I'm gonna be honest, I didn't know if Ranboo lived with his mom or dad or whatever so I just assumed and made his parent figure (who literally doesn't have any lines she's just there) his mom. Anyways, this is just a soft fic that explores the friendship dynamic between Tubbo and Ranboo, because I really like it. This is about 3500-ish words, which is longer then some of my other oneshots, which is cool! I really hope that I wrote Ranboo well, I haven't seen much of anything for little!Ranboo yet and wanted to try it, y'know? I don't think there's any trigger warnings that I need to put, but lmk if there is something I missed. Enjoy the fic!

"Ranboo?"

"Tubbo!"

Tubbo ran up to the boy in the black and white mask, the other youtuber decked out in a simple outfit. The only thing signifying the presence of his online persona was the mask. Besides that little detail, just one thing so that Tubbo could spot him easily, he looked like any other person.

"You're taller then I thought you'd be," Tubbo muttered, looking him up and down as he came to stand in front of him. Ranboo stood in front of a car, his mother climbing out of the driver's side and going to the back.

"And you're shorter." Ranboo replied, flinching just a bit at the slam of the car door. He was going to be staying with Tubbo for a week, this was his first meet up. And face reveal. Even now, with his mask on, Tubbo had still seen more of his face then anyone else on the internet.

"Oh, how kind of you," Tubbo joked, rolling his eyes a bit and taking

"Shut up and hug me, you idiot," Ranboo said, opening his arms. "I flew in from America, I get hug." he repeated, almost sounding whiny.

Tubbo laughed, jumping into the embrace and melting into the hug. Ranboo gives good hugs, he decided mentally, not pulling away from the affection for a few long seconds. "It's so nice to finally meet you, This week is gonna be great." Tubbo said, pulling away and going to the back of the car, where Ranboo's mom was unloading luggage.

It was gonna be great, for sure.

Ranboo sat just off camera, his mask now off but sitting on his lap, as Tubbo rambled to the chat. "He's gonna be here for a whole week! Isn't that cool?"

Both boys had been pretty excited for the meet up, they had a lot planned. Tommy was supposed to come by for two days, the second one being a big event with Wilbur and Niki too, all later in the week. This was Ranboo's big trip to meet some of the people he made content with regularly, and he was pretty excited.

"Put on your mask and shit on and come here, Ranboob." Everyone in chat was asking to see Ranboo. This whole trip was kept secret from the internet and anyone not involved in it, it was a huge surprise to everyone.

"I'm not going to if you're gonna be mean," he said defiantly, crossing his arms and giving him a look. He did not appreciate the 'Ranboob' nickname, not at all.

"I'm not being mean!" Tubbo screeched, basically pouting at him. "Come onnnn." he whined.

The childish traits they were displaying were somewhat just played up for the camera, but they were both littles. They knew about one another, but they had managed to avoid talking about it so far, moving from bring Ranboo's stuff inside, straight into a stream.

"Okay, okay, hold on," Ranboo took a few moments to pull on his mask and sunglasses, before standing up. "Move my chair for me, I wanna make a dramatic entrance." he ordered.

"I'm not your maid," Tubbo declined.

"Dramatic entrance or I'm not moving."

"Fine."

Once Tubbo had moved his chair, Ranboo made his silly enterance, strutting over and taking his seat next to Tubbo. "Hello, chat. You can see me, that's different," he laughed a bit. "I don't usually use a facecam."

"Well, get used to it. We're gonna be doing lots of stuff with cameras this week."

They continued talking about some plans they had, videos to make, streams to do. They hopped on the Minecraft and Discord servers, jumping between voice chats and talking to everyone. Eventually, though, Ranboo started to get tired and whiny. He literally took a whole trip from America, the car ride from the airport, and then jumped right into a stream. He was sleepy, goddammit.

Maybe it was being sleepy, and also excited, but he seemed to be falling into littlespace unknowingly. Acting childish, even just for a joke, usually led to feeling childish.

"Tubboooo," He held out his words, interrupting whatever Tubbo was doing on the SMP. He leaned close to him as he spoke.

"Ranbooooo," his friend mimicked him in a teasing voice, not looking away from the screen as he made his avatar run around the minecraft server.

"End stream, nap." he requested, causing the other boy to laugh. "Please?" he added.

"You can nap, my bed's over there," Tubbo told him, pointing off camera. "But I'm not done."

Ranboo pouted under his mask. "You're mean, y'know." he claimed, earning a chuckle from Tubbo.

There was a lot of messages in the chat claiming that they were fighting like children, with all their whining and pouting. Neither of them took it in a mean way though, that's what they were going for. It was funny.

"Sure I am." Tubbo said, looking to him for a moment. He quickly paused to say, "We'll end the stream soon, promise. You can sleep after that." He spoke in a much softer voice then before, signifying that he wasn't joking or anything. He was catching on to Ranboo's little behaviors, past the bit.

Ranboo hummed, before looking back to the screen. Tubbo returned to whatever he was doing, and the chat was 'aww'-ing. Ranboo tried to focus on not completely slipping on stream, making sure that any childlike behaviors he exhibited could be passed off as a joke.

He didn't fidget with any sort of toy, or hold a stuffed animal, he just swung his feet under the table, which the viewers couldn't see. Tubbo noticed it, though.

Eventually, Tubbo said goodbye to chat, and ended the stream. Once he logged off of the minecraft server and turned off his computer, he turned his seat to look at Ranboo. He smiled softly, "Hi, buddy."

He re-greeted him, as if talking to a new person. He wasn't, but it was a way to show that he was welcoming Little Ranboo in a kind way. "Hello, Tubbo." he giggled at the nickname, smiling wide.

"How little are you right now?"

Ranboo thought for a moment, not replying at first. He was old enough to be talking, so far, not having many issues pronouncing things. He wasn't really that small, he regressed to this age by himself regularly. It was fun, and he could play, while still being just old enough to take care of himself.

"I'm five." he decided aloud, "For now."

"But that might change?" Tubbo asked in a questioning, curious tone. Unlike Ranboo, he was just pretending and acting childish on stream, now fading in to a very caregivery demeanor. His friend was obviously small, and he was there to help.

"I dunno."

"Hmm," Tubbo noted that that probably meant he would be slipping younger, even if Ranboo didn't want to admit that. Most of the time, if Ranboo had someone to watch him that he trusted, usually Tubbo or Tommy, he'd slip a lot younger. Because he didn't need to take care of himself, he didn't need to worry about staying big enough to care for himself.

"You said you were sleepy, right? You needed a nap."

"No, no, no," Ranboo denied, shaking his head. "Not sleepy anymore." he claimed, contradicting his previous request. He was sleepy, very much so, but now he wanted to play. Now that he didn't have any viewers to worry about, he just wanted to have fun.

"Oh, really?" Tubbo said, standing up from his seat and stretching.

"Mhm," Ranboo hummed, distracted with the task of stealing Tubbo's much more comfortable chair the moment he moved. He also got distracted with spinning around almost right away. Tubbo didn't stop him, a little amused with how easy it was to entertain him.

"You're not sleepy anymore, not at all?" Tubbo sounded disbelieving.

"Nope."

"Alright. Where'd you put your littlegear? Do you have a sippy cup?" Tubbo asked.

"Black bag," Ranboo replied, not even bother to stop the chair, spinning around and around. He giggled at the motion, stopping when he started to get dizzy. While he was distracted, Tubbo had managed to locate the little bag, pull out a sippy cup, and leave the room.

"Tubs?" he pouted, not liking being left alone. "Tubboooo," he whined, getting up from the seat. "Whoa!" he almost tripped and tumbled, realizing he was still dizzy, and therefore, more clumsy. Once he was standing more stably, he heard Tubbo.

"I'm in the kitchen, buddy!" he heard his friend's voice call out, immediately following it. He ran out of the room, making his way to the

He suddenly got shy when he passed his mom and Tubbo's at the table, talking to each other. He slowed down, walking straighter and trying to act 'big'. "They know, you're okay," Tubbo assured, giving him a soft look from his spot by the microwave.

Ranboo still didn't face the adults, going quiet as he went over to Tubbo, now walking instead of running clumsily. He knew that his mom was always supportive, but he still wasn't the most comfortable regressing around her, or adults in general. The only real exceptions to this was his youtube friends who were older then him, because he didn't exactly see them as 'adults'.

It wasn't like any of them were mature.

The two women seemed to notice his discomfort, simply continuing to talk to one another and not bothering him. If they didn't bring any attention to his childlike behavior, or pretend they didn't notice it, then maybe Ranboo wouldn't mind being childish around them. They didn't want to interrupt or make him feel invalid while he was having fun.

"What're you doin'? You left me." he pouted, suddenly realizing that he had yet to take off his mask and sunglasses when his jutted-out lip was met with fabric. He had spoke quietly, so only Tubbo could hear how little his voice was.

He pulled them off, stuffing them into his pocket and rubbing at his eyes. "I'm making you angel milk, I'm sure you'll like it." Tubbo replied, opening the microwave before it went off and pulling the sippy cup out. Ranboo immediately went to reach for it, curious about the new drink he hadn't tried, but Tubbo pushed his hands away.

He didn't usually drink milk, feeling like it was something for babies, not bigger boys like him. But he didn't reject the babying, Tubbo treating him like he was a little younger then he had claimed to be. He really didn't mind it.

"It's to hot for you, bud. Let's just wait a bit, yeah?"

"Oh." Ranboo seemed a little confused, and embarrassed. He should've known that it'd be to hot, it was just heated up. Simple forgetfulness like this made him feel so kiddish, and not in the good way. This was forgotten when Tubbo ruffled his hair, making him giggle a little louder then he would've liked.

"Do you wanna make a snack while we wait?" Tubbo tightened the lid of the cup onto it, before shaking the bottle and setting it on the counter for the time being.

"Please?" Ranboo confirmed, fiddling with the bottom of his shirt as he asked.

"Yeah, let's see what we have." Tubbo said, opening up cupboards and looking into the fridge, Ranboo simply following him around. Ranboo stopped him from closing a cupboard right before he did by pulling on his shirt, pointing to cookies that sat up in it. Tubbo chuckled, "I should've known you would've asked for cookies. You can have one, but only after eating something else, okay?"

Tubbo agreed to these rules, happy he was getting any at all. He watched Tubbo pull out a plastic plate for him, setting the promised cookie on the side of it. "We have fruit? Do you like grapes?"

Ranboo eagerly nodded, "The green ones?"

"Yep," Tubbo smiled, pulling them out. The next few minutes consisted of Tubbo washing the fruit, putting it on the plate, grabbing the milk, and leading them back to his bedroom.

"Can I sit in your chair, p'ease?" Ranboo asked politely as he shut the door behind them, Tubbo's hands to full to do so.

"Go ahead," Tubbo confirmed. "Good job on asking nicely," he added, earning a smile from the boy. Ranboo immediately ran over to the chair, sitting in it and spinning again.

"Be careful, sweetie. I heard you almost fall because you were dizzy," Tubbo reminded. Ranboo's face flushed as Tubbo continued, "I know you're a bit clumsy when you're small, I wouldn't want you to get hurt."

Ranboo didn't know Tubbo could hear that. He wasn't that clumsy, he thought. The stupid chair just made him dizzy.

Tubbo went over and sat in the chair Ranboo was originally in, not commenting on his blushing. "Have you ever tried Angel Milk before?" Tubbo questioned, changing the subject to avoid embarrassing him more, shaking the bottle again once setting the plate of snacks on the desk in front of the computer.

"Nuh-uh," Ranboo shook his head. "Is it yummy?"

"Mhm, it's warm milk with sugar and vanilla and cinnamon in it. It's really yummy," Tubbo confirmed. He tried feeling the outside of the cup, not being able to tell exactly how hot it was. He tipped it over once putting the tip against his finger, letting out just enough of the milk to know the temperature. "I think this has cooled off enough for you, buddy. Here."

Ranboo took the royal blue sippy cup in both hands. The cup part was clear, so you could see the liquid inside, and the lid was his favorite color. The cup was a little smaller then a normal cup, but it was shaped like one, so if there ever came a time where he had to hide that he was using a sippy cup, he could just take the lid off and probably get away with it.

He sipped it, liking the feeling of the warm, but not too hot liquid on his tongue. He drank a bit of it before saying anything. "Yummy," he decided, in just one word, speaking with a soft smile. He leaned back into the chair, continuing to drink it. He seemed calmer, softer, even.

"I'm glad you like it, little one. Maybe don't drink it all before you even start eating, though."

"Oh," Ranboo said, pulling the cup away from his mouth. "Mkay." he agreed, wiping at his lips with his hand.

"You eat while I get some more of your little stuff out, okay?"

"mhm." Ranboo only hummed, swinging his feet under him like he had done earlier. After a minute or so of eating and looking around the room mindlessly, he felt something get set on his head. He looked up, causing the item to fall. The stuffed toy fell into his lap as Tubbo came around the chair, sitting down, holding a few things. He set the stuff in his lap.

"Boo!" he giggled, holding the toy bear close to his chest. 'Boo the Bear' was his favorite stuffed animal, and it was the only on he brought with him, and he was glad he did. To some extent, he knew he'd slip during this trip at some point, that's why he brought all the little stuff. He just didn't expect it to be so quickly.

"I found him hiding in your bag," Tubbo joked, picking up something from his lap. Pajamas.

"No!" Ranboo immediately said, without Tubbo getting the chance to say anything. "Don' need a nap." he huffed.

"I think you do. Just for a bit, so you have more energy to play later!" Tubbo spoke in a mock-excited tone, trying to paint the idea of napping in a more positive light for the little.

Spoiler alert, it didn't work well.

"Noooo," Ranboo whined.

"Doesn't cuddling up with Boo in comfy pajamas sound nice, sweetie?" He tried again.

Ranboo thought for a moment, shrugging. He casted his eyes downward, taking another drink from his cup, suddenly realizing how sleepy the warm liquid made him. Of course, he didn't catch onto the fact that Tubbo did that on purpose, but he didn't really need to know that.

"I'll nap with you, if you want. I promise, I won't have any fun without you."

Ranboo looked up, "Just for a bit?" he asked, in his now babyish voice. Tubbo was doing a fairly good job of convincing him.

"I'll wake you up in an hour or two, promise." Tubbo confirmed.

Ranboo thought again, glancing at the cookie on his plate before coming up with another question. "Can I have more cookies when I wake up? And more milk?"

Tubbo was slightly amused by the fact that he was treating this like some soft of business deal, but he was gonna take what he could get. "Sure thing."

"Okay," Ranboo agreed, hesitancy seemingly gone. "You have to cuddle with me and Boo, though! An- and play with me when I wake up!"

"Deal." Tubbo chuckled, ruffling his hair. "Now, let's finish your food and then get ready for your nap."

Ranboo was able to finish his grapes and his cookie in just a few minutes, sipping the last of his milk before setting it on the desk with the plate. "All gone," he said, yawning a bit. He rubbed a his eyes, leaning back into the seat. He was a lot sleepier then he thought he was.

"Yep, good job. Now, what do we do next?" Tubbo asked.

Ranboo sat up a bit, tilting his head, "Comfy clothes?" he offered, earning and approving hum from Tubbo.

"Are you big enough to do this yourself?" Tubbo handed him a stack of clothes, Ranboo nodding as he took it. Yeah, he was a little younger then five, but he could pull himself a little older to get dressed.

He ran off to the bathroom, leaving Tubbo with the important job of watching Boo. While he was gone, Tubbo moved around the pillows and blankets on his bed so that he'd be more comfortable. Ranboo came back, standing at the door shyly, clad in pajama pants and a matching slight-oversized soft cotton shirt.

"Look at how cute you look! You're so adorable." Tubbo cheered immediately, once picking up on his nervousness.

He was complimenting the boy because he seemed to be nervous about wearing more 'little' clothes around him, because until now, he was wearing 'big kid' clothes and just feeling small. Now, he looked it too. The pattern on the clothes was a bunch of little gold crowns, on a black backdrop.

"T'ank you," Ranboo shut the door behind him again, coming over to the bed and climbing onto it. He took Boo from Tubbo when he offered him the toy, coming up by the pillows and trying to position himself. As he did that, Tubbo shut off the light, glad it was the middle of the day so he didn't have to worry about any 'scared of the dark' issues. "Tubs?"

"Hmm?" The mentally-older boy replied, grabbing one last thing from the bedside table and climbing into bed beside Ranboo, facing him. Ranboo was curled up, stuffed bear cuddled to his chest, content with Tubbo just being close to him. They weren't cuddling, but he was willing to settle with just knowing that he was right there.

"m' feelin' smaller," he admitted after a moment, shy about the confession, yawning again as he sunk into the comfort on the soft pillows.

"Yeah?" Tubbo asked, looking at him softly. "How small?"

"lots an' lots."

"That's so small!" Tubbo, again, was amused by his childish actions. "Do you need a pacifier, sweetie?"

Ranboo, if any bigger, would've protested against the idea of using a pacifier and being called a baby, but he just nodded a bit. His demeanor was softer, and shyier. And it was easy to tell that he had trouble talking now.

"Good thing I already pulled one out for you," Tubbo laughed, revealing the last item he grabbed. A white pacifier, simple and plain, stuffed into his bag just in case he needed it. Tubbo lifted it to Ranboo's lips, the little taking it in his mouth and suckling on it a bit before letting his eyes drift shut.

Later on, he'd be embarrassed about using a pacifier in front of Tubbo, but right now, he was to small and sleepy to even care. The rest of the day, along with the rest of the meet up, would be great. Ranboo would wake up big, and they'd record a video with Tommy and then they'd watch movies. It'd all be great.

But right now, neither of them were worried about the rest of the day, because Ranboo was small and sleepy. Before falling asleep, he mumbled his last words before his nap.

"Ni' ni', Tubs." Tubbo has to stop himself from cooing at his adorable sleepy mumbling. Tubbo was glad that this was something they could support each other with, that this was something Ranboo trusted him with. He was so lucky. He replied, in the simple soft tone that he'd been using all day,

"Night, buddy."

A/N: okay so they meet up for a week, and I also mentioned tommy, wilbur, and niki, so there's room for me to write another oneshot in this universe. So if that's something you want, then go ahead and request in the comments! I imagine that tubbo and tommy are also littles, while wilbur and niki are cgs.

You can also request in-the-smp fics or just another oneshot for anyone! I might not write it, but please, still request, because the worst that can happen is that I say no.

also someone recently tried to request a fic involving an abusive cg and I just wanna say, I will never write anything like that, so don't request it. The farthest I will go is a caregiver yelling a bit, *NOTHING MORE*.

anyways, please leave feedback in the replies/reblogs/my ask box, on what you thought about this oneshot. Your favorite scene, cutest moments, things that you'd like to see within this universe. Whatever you want, feedback helps! Thanks for reading!

#dsmp #dream smp #ranboo #tubbo #agere #cglre #dream smp agere #little!ranboo #ranboo agere #cg!tubbo #tommyinnit #wilbur soot #niki

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peterxwade24 · 4 years ago

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Safety Found in Red Sleeves

Chapter 3

So, I know it’s been a long time waiting for this chapter but it’s finally done! It is 3500+ words of Thana’s overprotective friends and Jason being an overprotective dad/brother.

Before I get into the chapter, I’m going to go over a few words that might trip you up. All of the translations are courtesy of Google Translate so if I’m using a word wrong feel free to correct it.

Baba is Papa. Aleuma is Auntie. Kutlat Saghira is Little Nugget.

Thana stood in front of the class, carefully going over her note cards for her presentation.

Mlle. Bustier smiled at the class before clapping. “Okay, everyone. Let’s settle down and give Ms. Dupain-Cheng our full attention.”

Lila, ever the attention seeker, allowed crocodile tears to well up in her eyes. “Mlle. Bustier. She’s going to copy my presentation. It’s not fair.”

Thana glanced up at the other girl, her blue-grey eyes cold. “Well, Lila. If you’d paid attention, you would know that M. Dupain and Mme. Cheng are my adoptive parents. I’m not doing my presentation on Italy. I’m doing my presentation on Gotham City, New Jersey, USA.” She nodded towards Mlle. Bustier and waited for her to put the slides up on the board before turning to look at the class. “Gotham City, New Jersey, USA is called the ‘most crime-ridden city’ by the locals. The GCPD, or Gotham City Police Department, is exactly what it sounds like. The police department of Gotham City. Most locals, however, do not respect the officers of the GCPD because of the vigilantes that roam the streets. The main vigilante is Batman, he’s also the oldest, he dresses in all black with a cowl on his head that has bat ear like protrusions on the top. After him is Nightwing. Nightwing is very flexible and most Gothamites, people from Gotham, speculate that he is in fact the first Robin. He dresses in a suit of black with a blue bird across his chest. Red Robin, who is widely speculated to be the third Robin, works alongside the first two but also alongside Spoiler. He dresses in a red and black suit with a yellow robin head in the center of his chest atop a pair of crossed bandoliers. Spoiler, who most believe was both the fourth Robin and the second Batgirl, dresses in a suit that is primarily purple with black on her chest. Signal, a member of the team, dresses in a yellow and black suit with a white bat on his chest. It is believed he may be a meta, which is shorthand for metahuman which is what they call people with powers. There is also Black Bat, who most believe was the third Batgirl, who wears a mostly black suit with a yellow bat on her chest and yellow detailing on her arms and around her ribs. Black Bat’s suit covers most of her face from her nose to her chin. Most Gothamites believe that the first Batgirl is working hand in hand with the rest of the team behind the scenes after an attack by the Joker left her paralyzed from the waist down.”

The class looked on in amazement at the high quality photos that went along with each hero, but also in fear as Thana gave a thorough rundown of all the heroes and villains, called Rogues, before Thana’s face split into a smile.

“-The Sirens, a group of three antihero turned Rogues who don’t behave the same way that most of the other Rogues do. They have been seen helping Batman, when it fits them. The Sirens refers to Catwoman, Poison Ivy and Harley Quinn. Catwoman wears a black leather catsuit, which is self explanatory in her name. Poison Ivy wears varying shades of green and plant life while Harley Quinn, who was once affiliated with the Joker, most commonly wears a light pink crop top under a pair of gold overalls. The Riddler and Scarecrow, two Rogues who are relatively harmless since they partnered up, are rather distinctive. The Riddler, who wears a green three piece suit with matching hat and a purple tie and domino mask, leaves riddles and clues. Scarecrow, who wears a grey three piece suit with a canvas sack over his head, injects or sprays people with what he calls Fear Toxin but recently he has cut back on the injections and only soaks the paper The Riddler’s riddles are written on in his fear toxin. The Penguin wears a black three piece suit with a white dress shirt and is most commonly accompanied by twin girls who are most commonly seen wearing black wigs, green dresses and Kabuki masks. The Great Rodolfo, whom most speculate is related to the Joker, wears a cream or tan suit jacket, plaid pants, a matching plaid vest and a different patterned plaid necktie. Lastly, there’s Red Hood,” Thana’s hands fisted at her sides and pressed her lips into a thin line, who has recently been spotted fighting alongside various members of Batman’s team. Most Gothamites believe him to be the second Robin returned from the dead. Red Hood wears a red helmet, a dark brown leather jacket, black pants with black boots and a black utility belt, a black shirt with a red bat on his chest, and a red long sleeved shirt under his black shirt.”

---

Thana wrapped her arms around Kim’s waist and let out a shuddery breath. “My brother is Red Hood and he wants me to know it’s him.”

Chloé frowned but nodded. “We’ll help you see him again. However, we need to set up people here to fight the Akumas and someone to get, at least, Adrien to purify the butterfly.”

Alix smiled and turned towards Chloé. “I have some friends in Mme. Mendelieve’s class who can assist us while we’re gone.”

Adrien nodded and smiled. “You mean Bellamy, Brielle, Marc, and Alicia?”

Alix nodded. “Alicia is very sneaky and would be pretty good at using the Mouse Miraculous. Marc is very trustworthy and may or may not already be planning a storyline involving a hero who’s based on them. They would be a good temporary Horse Miraculous user. Bellamy is the Mom friend of their friend group and kind of reminds me of the dragons from mythology who hoard things, so I was thinking about him for the Dragon Miraculous. And Brielle is awkwardly good at keeping people organized, the only person better is Vivienne, so she could probably wield the Bee Miraculous.”

Adrien grinned goofily and slung an arm around Alix’s shoulders. “Those are great suggestions and unless anyone else has anyone better I think we’ll go with them.” Adrien, as the de facto leader of the team, looked to Thana for his longtime partner��s opinion.

Thana nodded from where she was hiding amidst Kim’s red sleeves. “Bellamy was nice to me when I arrived and Alicia always shadows her friends.”

Nino glanced at Chloé before tapping his headphones. He knew she would know what he meant. Nino glanced at their friend, could see how out of it she was becoming, and locked eyes with Chloé.

Chloé, always okay with coming off as argumentative and brash, looked at her oldest friend with a smile before falling back into her usual bratty persona. “Not to say this hasn’t been fun but, this hasn’t been fun. Kim, Nino and I are going to take Fragolina back to mine. Thanks for having us and thank your dad and Jalil for not interrupting us for me Alix. Kim. Nino.”

Kim stood up slowly, making sure to not disturb Thana as he did so. He shed his red hoodie and draped it around Thana’s shoulders before pulling Nino to his feet. Nino, who took his headphones off and placed them atop Thana’s head before selecting one of his playlists and stuffing his phone into one of Kim’s pockets.

The boys guided Thana out of the room, while Chloé smiled at the two other members of their group. “Fragolina’s going through some things at the moment, because she just realized her brother isn’t as dead as she thought he was and wants her to know that he’s looking for her.”

Adrien pursed his lips before glancing at Alix. “I didn’t know she had a brother, did you?”

Alix shrugged. “She didn’t really talk to many of us when she got here.”

---

Thana settled against the pillows on Chloé’s bed with Kim’s hoodie looking as though it was swallowing her whole and the hood pulled up over her head and covering Nino’s headphones with the lyrics to The Neighbourhood’s “R.I.P.2 My Youth” transitioning to Fall Out Boy’s “Stay Frosty Royal Milk Tea” sounding in her ears. Nino’s phone was no longer in Kim’s pocket but plugged in while Chloé was packing clothes for their trip to the States.

Nino and Kim were trading practice blows in an area far away from Chloé’s closet. Or they were before Nino began flipping away from all of Kim’s attacks.

Chloé glanced at the boys before shaking her head and turning to their resident Gothamite. Chloé let a smile cross her face before turning to the four Kwamis, who were all relaxing in a large dollhouse, and raising a brow. “What are you four doing?”

Plagg and Trixx wore matching grins while Stompp simply crossed their arms over their chest and Sass began humming a tune. “Relaxing, what does it look like we’re doing?” Plagg’s face broke out in a larger grin before he relaxed into Trixx’s side.

Chloé simply shook her head at the four Kwamis. “Why don’t you four go relax with Fragolina?”

-*-*-*

Jason smiled as he picked up his Little Nugget and settled him on his hip. “Hey Little Nugget. Did you sleep well?”

Damian nodded before burying his face in Jason’s shoulder. “Who are they?”

Jason adjusted his hold on Damian to allow for Damian to see the two girls. “You remember Lady Shiva, don’t you?” He waited for Damian to nod before he continued. “The girl with the dark hair is Lady Shiva’s daughter, Cassandra. The blonde haired girl is Stephanie Brown. Do you remember when Bruce proclaimed that he wouldn’t have his children hanging out with the children of bad people?” Damian pursed his lips in thought, something he picked up from Jason, before nodding again. “Lady Shiva is a bad guy, as is Stephanie’s father. But, by Bruce’s standards so are Talia and Ra’s.”

Cassandra bowed, low to the floor, in Damian’s presence. Cassandra would never forget her training, and all must bow before the Heir of the Demon’s Head.

Stephanie gave a two finger salute with a smile. “Sup?”

Dick and Tim emerged from the bedroom they crashed in the night before. “Jason? Does this place have coffee?”

Jason rolled his eyes. “Am I going to have a Tamaranean princess and a half-Tamaranean tyke breaking into the apartment you’re helping pay for?”

Dick’s eyes widened before he dove for the couch, where he left his phone the night before. He let out a victorious shout when he found his phone still had battery life left. He tapped out a text to Kory before turning back to his brothers. “No.”

---

Jason kept watching for danger out of the corners of his eyes, even though it was noon and he was in a supermarket, he couldn’t take any chance now that he had his Little Nugget and two sisters to watch out for. He saw a familiar man with short red hair leading a man with long brown hair, a familiar red haired woman and her companion, a familiar blonde haired woman, turn down aisles further down. “Stephanie Jeanelle Brown. Put down the toaster waffles. Take Cassandra and go find the boxed waffle mix, and while you’re there grab some pancake mix and syrup. Dick, Tim, go find some fruits that will keep for more than a week.”

The four teens nodded before going off to do what was asked of them. Damian, however, pouted from beside Jason. “Why do they get to go get things while I’m stuck with you?”

“Because, Little Nugget, I’m not afraid someone will steal them and make me reconsider how I feel about murder now that it’s not just me.” Jason smiled and ruffled Damian’s hair, which had grown out since Jason had first taken him. “I just want to keep you within eyesight because there are unsavoury characters who live in Gotham and darken the streets. I know technically I’m your brother but I feel like you are my child and I will do everything in my power to protect you, like I couldn’t protect your aunt my sister.”

Damian glanced up at Jason, a look of confusion on his face. “But I thought there were only three girls in the family in the right age range.”

Jason’s face melted into a faraway look and tightly pursed lips. “She was four when I met her, this tiny little slip of a child covered in bruises with dark red hair and blue grey eyes. I was following her, like most street kids would have, when she got the drop on me and then pinned me into the shadows beside a dumpster because her father was walking towards the alley we were in. I became Robin when I was twelve and she was nine, and then CPS and GCPD dragged her from one of our nests and took her away from here. I just found out about that at the press conference.” Jason’s blue green eyes kept sweeping the aisles looking for anyone who could pose a threat to his family. He saw, instead, Selina Kyle deciding between two different laundry detergents in one aisle and Oswald Cobblepot, accompanied by Pere and Gale, deciding between two different kinds of cereal.

Damian took in the information Jason gave him, knowing that Jason would tell him anything he asked even if it was painful to think about. “Who’s her father?”

“Jervis Tetch, aka Mad Hatter.” Jason’s voice was filled with so much venom he had to take a few deep breaths to calm himself down. “He’s a very bad man and if you ever hear anything about him, you run away. The Iceberg Lounge will provide you sanctuary if you can’t make it back to the apartment.”

Damian nodded as he allowed himself to be caged in by Jason’s arms so he was between Jason and the shopping cart.

Stephanie and Cass returned triumphantly with waffle mix, pancake mix and syrup. Followed by Dick and Tim a few minutes later.

Dick turned to Jason with a wry grin. “Is there a real reason we’re shopping at this store at this time of day? Or did you just want to surround yourself with other people who love your Pixie?”

Jason glanced up and made eye contact with Ed Nygma. Jason waved with a small smile on his face before Ed grabbed John’s arm and dragged him to the six siblings.

“Big Todd.” Ed called in lieu of greeting.

John nodded with a smile.

“Are you ever going to give that up?” Jason shook his head fondly. “Ed, John. This is Damian, my Little Nugget. Little Nugget, these are your aunt’s Uncles Ed and John.”

Ed nodded. “Have you tried to get in contact with her?”

John pressed a kiss to Ed’s cheek before looking at their present company. “Now might not be the best place to converse about this topic Love.”

Ed nodded before he let John drag him away. “We must converse again.”

---

Jason smiled as he tucked Damian into bed, before closing the bedroom door. He slumped back into the kitchen and with an exhausted sigh he set about finishing the dishes from the day’s meals. He paused to think about what Ed had said in the store. Would she even want to hear from him? Would she be receptive to talking to him or getting in contact with him?

Tim walked into the kitchen, intending to get a glass of water then go back to bed, when he stumbled upon Jason lost in thought. “Jason?” Tim stood next to Jason and gently pried a plate out of Jason’s hand. “Jason? Can you hear me?”

Jason shook himself out of his stupor and turned to the smaller boy. “Replacement? What are you doing up at this hour?”

Tim shrugged nonchalantly. “I was going to get a glass of water.”

Jason rolled his eyes and grabbed a glass out for Tim. “Sure.” Jason leaned against the counter and watched as Tim filled the glass with water.

Tim smiled at his older brother. “Were you thinking about what Nygma said?”

Jason ruffled Tim’s hair with a half smile on his face. “She was my only family for many years.” Jason turned back to the sink still full of dishes with a chuckle. “Go back to bed Replacement.”

Tim nodded. “Yeah, okay. I’ll, uh, see you tomorrow.”

Jason finished the dishes before dragging his still damp hands through his hair. He let out a tired sigh before turning around, to find discarded clothing covering his couch. He picked up a laundry basket and tossed all of the clothing into the basket. He glanced around the living room and nodded, satisfied with how clean it was. “We’ll have to clean up the apartment tomorrow, as long as Wayne doesn’t call us in.” Jason muttered as he put the laundry basket down on the counter and walked into his bedroom and curled around Damian.

---

Jason, with Damian settled on his left hip, stared at Bruce Wayne who was standing at the door to the apartment building. He raised a single eyebrow as he turned to have his right side facing Bruce. “Can I help you Mr. Wayne?”

“We need to talk.”

Jason snorted. “Then you can do it while walking. We’re meeting someone soon and we’re walking.”

Tim, Steph and Cass brushed past the trio. “Bye Jace! We’re gonna go hang with Kon, Cassie and Bart for a few hours!”

“Text when you get there and when you’re leaving! If we’re not home before you call to let me know you made it home safe!”

“Bye Jason!” Steph called while Cass waved.

Jason turned back to Bruce and raised his eyebrows. “Walk and talk Wayne.” Jason hitched Damian further up on his hip and started to push past Bruce, when Dick beat him to it.

“Call me if you need something or if one of the others needs something. I’ve gotta go home to Kor’i and Mar’i.”

“See you later Dickiebird.”

“See you Jaybird, see you Chick.”

Damian simply waved at Dick and rested his head on Jason’s shoulder. “Bye-bye.”

Jason watched Dick walk away with a smile on his face. He turned to Bruce and frowned.

“Jason-”

“Baba. Go.”

“In a minute Kutlat Saghira.” Jason pressed a kiss to Damian’s cheek. “Do you want to walk and talk or-”

“What did he just call you?” Bruce cut Jason off. “What did you just call him?”

“I called him Little Nugget, and last time I checked I didn’t have to tell you anything.” Jason shook his head and pushed past Bruce. “Are you ready to meet some friends Little Nugget?”

Damian nodded and smiled.

---

Jason pushed open the door to the Iceberg Lounge and smiled as the chilled air cooled the sweat on the back of his neck. “This is where we’re meeting some friends of your Aleuma.”

Damian smiled and patted Jason’s chest, his nonverbal way of saying he wants down.

“Don’t run off, stick close. Not everyone in here is friends with your Aleuma.”

Damian nodded before the two men from the supermarket approached them.

“Jason.” the man with brown hair smiled as he extended his hand to Jason.

“Mr. Crane. Have you been keeping your nose out of trouble?”

John laughed and nodded. “Of course, Ed keeps me in line.”

Ed laughed and shook his head. “Someone has to.”

The red haired woman and her blonde haired companion strolled into the area with matching smiles on their faces.

“Sundew.” The red haired woman called.

“Little bird.” Her blonde companion chirped.

Jason waved. “Damian, the red haired lady is Doctor Pamela Isley and her lovely companion is Doctor Harleen Quinzel. Pam, Harley, this is Damian al Ghul-Wayne. However, he’s more my son than Wayne’s at this point.”

Pam and Harley waved at Damian before offering him smiles.

“Oswald!” Jason called to a portly man across the lounge.

The man, followed by two women dressed in green long sleeved dresses and Kabuki masks, walked over to Jason with a smile on his face. “Todd. It’s good to see you.”

“You too old man.” Jason bowed to the two women. “Pere. Gale.”

The women bowed back.

“Damian, this is Oswald Cobblepot, your Aleuma liked him for some reason and he gave us shelter on more than a few nights.”

Oswald Cobblepot held out a hand to Damian with a smile on his face. “Hello there Damian.”

“Hello.” Damian smiled and stood taller. “Baba. I’m taller.”

Jason snorted. “I see that Little Nugget.” Jason glanced over his shoulder when he heard the door move.

“Hey, Ozzy? You heard from-” Jerome stopped talking before his face split in a smile. “Hoodie! You’re back!”

“Hey Rome.” Jason waved. “Come meet Damian.”

Damian tilted his head in a confused puppy manner before the red haired man appeared from behind Jason. “Is he?”

Jerome extended a hand to Damian with a more mild grin on his face. “Hi. I’m Jerome Valeska, although most of these people know me better as The Great Rodolfo. You must be Damian Todd.”

Damian preened for a moment before coming back to the moment. “Technically, Baba says my name’s still Damian al Ghul-Wayne but I like Damian Todd.”

Taglist

@southamericangothamite @maribat-is-lifeblood @mystery-5-5 @our-preciousss @mochegato @chocolatecatstheron @throneoffirebreathingbitchqueen @2confused-2doanything @wannajointhecrabcult @dreamykitty25 @tomanyfandomsonmymind @moonlightstar64 @justafanwarrior @mialuvscats @pheony1882 @pepelachanel @moongoddesskiana @abrx2002 @ladybug-182 @greatcatblaze @thatonecroc @vixen-uchiha @superbwhispersconnoisseur @lilkymilky

After this, there will be a short titled “Pixie?!” featuring Jason fresh from the grave and the appearance of Talia al Ghul using his panicked state against him.

#maribat #ml crossover #mlb crossover #ml x dc #mlb x dc #gothamite!Marinette #platonic sibling jasonette #Safety Found in Red Sleeves #sfirs

136 notes · View notes

davidmann95 · 4 years ago

Note

So... Morrison’s 10 part interview on All-Star Superman, along with all other older Newsarama articles, just seem to have ceased to exist. One does not simply live without having those interviews available to reread... Can I find them anywhere else?

Rejoice! I finally borrowed a computer I could put my flash drive into, and emailed myself my copy of the Morrison interview. Here it is below the cut, copied and pasted direct from the source way back when, available again at last:

Three years, 12 issues, Eisners and countless accolades later, All Star Superman is finally finished. The out-of-continuity look at Superman’s struggle with his inevitable death was widely embraced by fans and pros as one of the best stories to feature the Man of Steel, and was a showcase for the talents of the creative team of Grant Morrison, Frank Quitely and Jamie Grant.

Now, Newsarama is proud to present an exclusive look back with Morrison at the series that took Superman to, pun intended, new heights. We had a lot of questions about the series...and Morrison delivered with an in-depth look into the themes, characters and ideas throughout the 12 issues. In fact, there was so much that we’re running this as an unprecedented 10-part series over the next two weeks – sort of an unofficial All Star Superman companion. It’s everything about All Star Superman you ever wanted to know, but were afraid to ask.

And of course there’s plenty of SPOILERS, so back away if you haven’t read the entire series.

Newsarama: Grant, tell us a little about the origin of the project.

Grant Morrison: Some of it has its roots in the DC One Million project from 1999. So much so, that some readers have come to consider this a prequel to DC One Million, which is fine if it shifts a few more copies! I’ve tried to give my own DC books an overarching continuity intended to make them all read as a more coherent body of work when I’m done.

Luthor’s “enlightenment” – when he peaks on super–senses and sees the world as it appears through Superman’s eyes – was an element I’d included in the Superman Now pitch I prepared along with Mark Millar, Tom Peyer and Mark Waid back in 1999. There were one or two of ideas of mine that I wanted to preserve from Superman Now and Luthor’s heart–stopping moment of understanding was a favorite part of the original ending for that story, so I decided to use it again here.

My specific take on Superman’s physicality was inspired by the “shamanic” meeting my JLA editor Dan Raspler and I had in the wee hours of the morning outside the San Diego comic book convention in whenever it was, ‘98 or ‘99.

I’ve told this story in more detail elsewhere but basically, we were trying to figure out how to “reboot” Superman without splitting up his marriage to Lois, which seemed like a cop–out. It was the beginning of the conversations which ultimately led to Superman Now, with Dan and I restlessly pacing around trying to figure out a new way into the character of Superman and coming up short...

Until we looked up to see a guy dressed as Superman crossing the train tracks. Not just any skinny convention guy in an ill–fitting suit, this guy actually looked like Superman. It was too good a moment to let pass, so I ran over to him, told him what we’d been trying to do and asked if he wouldn’t mind indulging us by answering some questions about Superman, which he did...in the persona and voice of Superman!

We talked for an hour and a half and he walked off into the night with his friend (no, it wasn’t Jimmy Olsen, sadly). I sat up the rest of the night, scribbling page after page of Superman notes as the sun came up over the naval yards.

My entire approach to Superman had come from the way that guy had been sitting; so easy, so confident, as if, invulnerable to all physical harm, he could relax completely and be spontaneous and warm. That pose, sitting hunched on the bollard, with one knee up, the cape just hanging there, talking to us seemed to me to be the opposite of the clenched, muscle-bound look the character sometimes sports and that was the key to Superman for me.

I met the same Superman a couple of times afterwards but he wasn’t Superman, just a nice guy dressed as Superman, whose name I didn’t save but who has entered into my own personal mythology (a picture has from that time has survived showing me and Mark Waid posing alongside this guy and a couple of young readers dressed as Superboy and Supergirl – it’s in the “Gallery” section at my website for anybody who can be bothered looking. This is the guy who lit the fuse that led to All Star Superman).

After the 1999 pitch was rejected, I didn’t expect to be doing any further work on Superman but sometime in 2002, while I was going into my last year on New X–Men, Dan DiDio called and asked if I wanted to come back to DC to work on a Superman book with Jim Lee.

Jim was flexing his artistic muscles again to great effect, and he wanted to do 12 issues on Superman to complement the work he was doing with Jeph Loeb on “Batman: Hush.” At the time, I wasn’t able to make my own commitments dovetail with Jim’s availability, but by then I’d become obsessed with the idea of doing a big Superman story and I’d already started working out the details.

Jim, of course, went on to do his 12 Superman issues as “For Tomorrow” with Brian Azzarello, so I found myself looking for an artist for what was rapidly turning into my own Man of Steel magnum opus, and I already knew the book had to be drawn by my friend and collaborator, Frank Quitely.

We were already talking about We3 and Superman seemed like a good meaty project to get our teeth into when that was done. I completely scaled up my expectations of what might be possible once Frank was on board and decided to make this thing as ambitious as possible.

Usually, I prefer to write poppy, throwaway “live performance” type superhero books, but this time, I felt compelled to make something for the ages – a big definitive statement about superheroes and life and all that, not only drawn by my favorite artist but starring the first and greatest superhero of them all.

The fact that it could be a non–continuity recreation made the idea even more attractive and more achievable. I also felt ready for it, in a way I don’t think I would have been in 1999; I finally felt “grown–up” enough to do Superman justice.

I plotted the whole story in 2002 and drew tiny colored sketches for all 12 covers. The entire book was very tightly constructed before we started – except that I’d left the ending open for the inevitable better and more focused ideas I knew would arise as the project grew into its own shape...and I left an empty space for issue 10. That one was intended from the start to be the single issue of the 12–issue run that would condense and amplify the themes of all the others. #10 was set aside to be the one–off story that would sum up anything anyone needed to know about Superman in 22 pages.

Not quite as concise an origin as Superman’s, but that’s how we got started.

NRAMA: When you were devising the series, what challenges did you have in building up this version of the Superman universe?

GM: I couldn’t say there were any particular challenges. It was fun. Nobody was telling me what I could or couldn’t do with the characters. I didn’t have to worry about upsetting continuity or annoying people who care about stuff like that.

I don’t have a lot of old comics, so my knowledge of Superman was based on memory, some tattered “70s books from the remains of my teenage collection, a bunch of DC “Best Of...” reprint editions and two brilliant little handbooks – “Superman in Action Comics” Volumes 1 and 2 – which reprint every single Action Comics cover from 1938 to 1988.

I read various accounts of Superman’s creation and development as a brand. I read every Superman story and watched every Superman movie I could lay my hands on, from the Golden Age to the present day. From the Socialist scrapper Superman of the Depression years, through the Super–Cop of the 40s, the mythic Hyper–Dad of the 50s and 60s, the questioning, liberal Superman of the early 70s, the bland “superhero” of the late 70s, the confident yuppie of the 80s, the over–compensating Chippendale Superman of the 90s etc. I read takes on Superman by Mark Waid, Mark Millar, Geoff Johns, Denny O’Neil, Jeph Loeb, Alan Moore, Paul Dini and Alex Ross, Joe Casey, Steve Seagle, Garth Ennis, Jim Steranko and many others.

I looked at the Fleischer cartoons, the Chris Reeve movies and the animated series, and read Alvin Schwartz’s (he wrote the first ever Bizarro story among many others) fascinating book – “An Unlikely Prophet” – where he talks about his notion of Superman as a tulpa, (a Tibetan word for a living thought form which has an independent existence beyond its creator) and claims he actually met the Man of Steel in the back of a taxi.

I immersed myself in Superman and I tried to find in all of these very diverse approaches the essential “Superman–ness” that powered the engine. I then extracted, purified and refined that essence and drained it into All Star’s tank, recreating characters as my own dream versions, without the baggage of strict continuity.

In the end, I saw Superman not as a superhero or even a science fiction character, but as a story of Everyman. We’re all Superman in our own adventures. We have our own Fortresses of Solitude we retreat to, with our own special collections of valued stuff, our own super–pets, our own “Bottle Cities” that we feel guilty for neglecting. We have our own peers and rivals and bizarre emotional or moral tangles to deal with.

I felt I’d really grasped the concept when I saw him as Everyman, or rather as the dreamself of Everyman. That “S” is the radiant emblem of divinity we reveal when we rip off our stuffy shirts, our social masks, our neuroses, our constructed selves, and become who we truly are.

Batman is obviously much cooler, but that’s because he’s a very energetic and adolescent fantasy character: a handsome billionaire playboy in black leather with a butler at this beck and call, better cars and gadgetry than James Bond, a horde of fetish femme fatales baying around his heels and no boss. That guy’s Superman day and night.

Superman grew up baling hay on a farm. He goes to work, for a boss, in an office. He pines after a hard–working gal. Only when he tears off his shirt does that heroic, ideal inner self come to life. That’s actually a much more adult fantasy than the one Batman’s peddling but it also makes Superman a little harder to sell. He’s much more of a working class superhero, which is why we ended the whole book with the image of a laboring Superman.

He’s Everyman operating on a sci–fi Paul Bunyan scale. His worries and emotional problems are the same as ours... except that when he falls out with his girlfriend, the world trembles.

Newsarama: Grant, what are some of your favorite moments from the 12 issues?

Grant Morrison: The first shot of Superman flying over the sun. The Cosmic Anvil. Samson and Atlas. The kiss on the moon. The first three pages of the Olsen story which, I think, add up to the best character intro I’ve ever written.

Everything Lex Luthor says in issue #5. Everything Clark does. The whole says/does Luthor/Superman dynamic as played out through Frank Quitely’s absolute mastery and understanding of how space, movement and expression combine to tell a story.

Superboy and his dog on the moon – that perfect teenage moment of infinite possibility, introspection and hope for the future. He’s every young man on the verge of adulthood, Krypto is every dog with his boy (it seemed a shame to us that Krypto’s most memorable moment prior to this was his death scene in “Whatever Happened To The Man of Tomorrow.” Quitely’s scampering, leaping, eager and alive little creature is how I’d prefer to imagine Krypto the Superdog and conjures finer and more subtle emotions).

Bizarro–Home, with all of Earth’s continental and ocean shapes but reversed. The page with the first appearance of Zibarro that Frank has designed so the eye is pulled down in a swirling motion into the drain at the heart of the image, to make us feel that we’re being flushed in a cloacal spiral down into a nihilistic, existential sink. Frank gave me that page as a gift, and it became weirdly emblematic of a strange, dark time in both our lives.

The story with Bar–El and Lilo has a genuine chill off ammonia and antiseptic off it, which makes it my least favorite issue of the series, although I know a lot of people who love it. It’s about dying relatives, obligations, the overlit overheated corridors between terminal wards, the thin metallic odors of chemicals, bad food and fear. Preparation for the Phantom Zone.

Superman hugging the poor, hopeless girl on the roof and telling us all we’re stronger than we think we are.

Joe Shuster drawing us all into the story forever and never–ending.

Nasthalthia Luthor. Frank and Jamie’s final tour of the Fortress, referencing every previous issue on the way, in two pages.

All of issue #10 (there’s a single typo in there where the time on the last page was screwed up – but when we fix that detail for the trade I’ll be able to regard this as the most perfectly composed superhero story I’ve ever written).

I don’t think I’ve ever had a smoother, more seamless collaborative process.

NRAMA: The story is very complete unto itself, but are there any new or classic characters you’d like to explore further? If so, which ones and why?

GM: I’d happily write more Atlas and Samson. I really like Krull, the Dino–Czar’s wayward son, and his Stalinist underground empire of “Subterranosauri.” I could write a Superman Squad comic forever. I’d love to write the “Son of Superman” sequel about Lois and Clark’s super test tube baby.

But...I think All Star is already complete, without sequels. You read that last issue and it works because you know you’re never going to see All Star Superman again. You’ll be able to pick up Superman books, but they won’t be about this guy and they won’t feel the same. He really is going away. Our Superman is actually “dying” in that sense, and that adds the whole series a deeper poignancy.

NRAMA: Aside from the Bizarro League, you never really introduce other DC superheroes into the story. Why did you make this choice?

GM: I wanted the story to be about the mythic Superman at the end of his time. It’s clear from the references that he has or more likely has had a few super–powered allies, but that they’re no longer around or relevant any more.

For the context of this story I wanted the super–friends to be peripheral, like they were in the old comics. The Flash? Green Lantern? They represent Superman’s “old army buddies,” or your dad’s school friends. Guys you’ve sort of heard of, who used to be more important in the old man’s life than they are now.

NRAMA: Some readers were confused as to how the “Twelve Labors” broke down, though others have pointed out that Superman’s actions are more reflective of the Stations of the Cross (I note there’s a “Station Café” in the background of issue #12). Could you break down the Twelve Labors, or, if the cross theory is true, how the storyline reflects the Stations?

GM: The 12 Labors of Superman were never intended as an isomorphic mapping onto the 12 Labors of Hercules, or for that matter, the specific Stations of the Cross, of which there are 14, I believe. I didn’t even want to do one Labor per issue, so it deliberately breaks down quite erratically through the series for reasons I’ll go into (later).

Yes, there are correspondences, but that’s mostly because we tried to create for our Superman the contemporary “superhero” version of an archetypal solar hero journey, which naturally echoes numerous myths, legends and religious parables.

At the same time, we didn’t want to do an update or a direct copy of any myth you’d seen before, so it won’t work if you try to find one specific mythological or religious “plan” to hang the series on; James Joyce’s honorable and heroic refutation of the rule aside, there’s nothing more dead and dull than an attempt to retell the Odyssey or the Norse sagas scene by scene, but in a modern and/or superhero setting.

For future historians and mythologizers, however, the 12 Labors of Superman may be enumerated as follows:

1. Superman saves the first manned mission to the sun. 2. Superman brews the Super–Elixir. 3. Superman answers the Unanswerable Question. 4. Superman chains the Chronovore.  5. Superman saves Earth from Bizarro–Home. 6. Superman returns from the Underverse. 7. Superman creates Life. 8. Superman liberates Kandor/cures cancer. 9. Superman defeats Solaris. 10. Superman conquers Death. 11. Superman builds an artificial Heart for the Sun. 12.Superman leaves the recipe/formula to make Superman 2.

And one final feat, which typically no–one really notices, is that Lex Luthor delivers his own version of the unified field haiku – explaining the underlying principles of the universe in fourteen syllables – which the P.R.O.J.E.C.T. G–Type philosopher from issue 4 had dedicated his entire life to composing!

You may notice also that the Labors take place over a year – with the solar hero’s descent into the darkness and cold of the Underverse occurring at midwinter/Christmas time (that’s also the only point in the story where we ever see Metropolis at night).

It can also be seen as the sun’s journey over the course of a day – we open in blazing sunshine but halfway through the book, at the end of issue #5, in fact, the solar hero dips below the horizon and begins the night–journey through the hours of darkness and death, before his triumphant resurrection at dawn. That’s why issue 5 ends with the boat to the Underworld and 6 begins with the moon. Clark Kent is crossing the threshold into the subconscious world of memory, shadows, death and deep emotions.

Although they can often have bizarre resonances, specific elements, like the Station Café, are usually put there by Frank Quitely, and are not necessarily secret Dan Brown–style keys to unlocking the mysteries. I think there might be a Station Café opposite the studio where Frank Quitely works and the “SAPIEN” sign on another storefront is a reference to Frank’s studio mate, Dave Sapien. At least he’s not filling the background with dirty words like he used to, given any opportunity

NRAMA: For that matter, do the Twelve Labors matter at all? They seem so purposely ill–defined. They seem more like misdirection or a MacGuffin than anything that needs to be clearly delineated.

GM: They matter, of course, but the 12 Labors idea is there to show that, as with all myth, the systematic ordering of current events into stories, tales, or legends occurs after the fact.

I’m trying to suggest that only in the future will these particular 12 feats, out of all the others ever, be mythologized as 12 Labors. I suppose I was trying to say something about how people impose meaning upon events in retrospect, and that’s how myth is born. It’s hindsight that provides narrative, structure, meaning and significance to the simple unfolding of events. It’s the backward glance that adds all the capital letters to the list above.

Even Superman isn”t sure how many Labors he’s performed when we see him mulling it over in issue 10.  When you watched it happening, it seemed to be Superman just doing his thing. In the future it’s become THE 12 LABORS OF SUPERMAN!

NRAMA: And on a completely ridiculous note: All–Star Superman is perhaps the most difficult–to–abbreviate comic title since Preacher: Tall in the Saddle. Did you realize this going in?

GM: Going into what? Going into ASS itself? In the sense of how did I feel as I slowly entered ASS for the first time?

It never crossed my mind...

Newsarama: I’d like to know a little more about Leo Quintum and his role in the story. He seems like a bit of an outgrowth of the likes of Project Cadmus and Emil Hamilton, but in a more fantastical, Willy Wonka sense.

Grant Morrison: Yeah, he was exactly as you say, my attempt to create an updated take on the character of “Superman’s scientist friend” – in the vein of Emil Hamilton from the animated show and the ‘90s stories. Science so often goes wrong in Superman stories, and I thought it was important to show the potential for science to go right or to be elevated by contact with Superman’s shining positive spirit.

I was thinking of Quintum as a kind of “Man Who Fell To Earth” character with a mysterious unearthly background. For a while I toyed with the notion that he was some kind of avatar of Lightray of the New Gods, but as All Star developed, that didn’t fit the tone, and he was allowed to simply be himself.

Eventually it just came down to simplicity. Leo Quintum represents the “good” scientific spirit – the rational, enlightened, progressive, utopian kind of scientist I figured Superman might inspire to greatness. It was interesting to me how so many people expected Quintum to turn out bad at the end. It shows how conditioned we are in our miserable, self–loathing, suspicious society to expect the worst of everyone, rather than hope for the best. Or maybe it’s just what we expect from stories.

Having said that, there is indeed a necessary whiff of Lucifer about Quintum. His name, Leo Quintum, conjures images of solar force, lions and lightbringers and he has elements of the classic Trickster figure about him. He even refers to himself as “The Devil Himself” in issue #10.

What he’s doing at the end of the story should, for all its gee–whiz futurity, feel slightly ambiguous, slightly fake, slightly “Hollywood.” Yes, he’s fulfilling Superman’s wishes by cloning an heir to Superman and Lois and inaugurating a Superman dynasty that will last until the end of time – but he’s also commodifying Superman, figuring out how it’s done, turning him into a brand, a franchise, a bigger–and–better “revamp,” the ultimate coming attraction, fresher than fresh, newer than new but familiar too. Quintum has figured out the “formula” for Superman and improved upon it.

And then you can go back to the start of All Star Superman issue #1 and read the “formula” for yourself, condensed into eight words on the first page and then expanded upon throughout the story! The solar journey is an endless circle naturally. A perfect puzzle that is its own solution.

In one way, Quintum could be seen to represent the creative team, simultaneously re–empowering a pure myth with the honest fire of Art...while at the same time shooting a jolt of juice through a concept that sells more “S” logo underpants and towels than it does comic books. All tastes catered!

I have to say that the Willy Wonka thing never crossed my mind until I saw people online make the comparison, which seems quite obvious now. Quintum dresses how I would dress if I was the world’s coolest super–scientist. What’s up with that?

NRAMA: Was Zibarro inspired by the Bizarro World story where the Bizarro–Neanderthal becomes this unappreciated Casanova–type?

GM: Don’t know that one, but it sounds like a scenario I could definitely endorse!

Zibarro started out as a daft name sicked–up by my subconscious mind, which flowered within moments into the must–write idea of an Imperfect Bizarro. What would an imperfect version of an already imperfect being be like?

Zibarro.

NRAMA: I’d like to know more about Zibarro – what’s the significance of his chronicling Bizarro World through poetry?

GM: It’s up to you. I see Zibarro partly as the sensitive teenager inside us all. He’s moody, horribly self–aware and uncomfortable, yet filled with thoughts of omnipotence and agency. He’s the absolute center of his tiny, disorganized universe. He’s playing the role of sensitive, empathic poet but at the same time, he’s completely self–absorbed.

When he says to Superman “Can you even imagine what it’s like to be so different. So unique. So unlike everyone else?” he doesn’t even wait for Superman’s reply. He doesn’t care about anyone’s feelings but his own, ultimately.

NRAMA: The character is very close to Superman, so what does it say that a nonpowered version on a savage world would focus his energy through that medium? Also, does Zibarro’s existence show how Superman is able to elevate even the backwards Bizarros through his very nature?

GM: All of the above. And maybe he writes his totally subjective poetry as a reflection of Clark Kent’s objective reporter role. The suppressed, lyrical, wounded side of Superman perhaps? The Super–Morrissey? Bizarro With The Thorn In His Side?

But he’s also Bizarro–Home’s “mistake” (or so it seems to him, even though he’s as natural an expression of the place as any of the other Bizarro creatures who grow like mold across the surface of their living planet). He feels excluded, a despised outsider, and yet that position is what defines his cherished self–image. He expresses himself through poetry because to him the regular Bizarro language is barbaric, barely articulate and guttural. And they all think he’s talking crap anyway.

It seemed to make sense that an interesting opposite of Bizarro speech might be flowery “woe is me” school Poetry Society odes to the sunset in a misunderstood heart. He’s still a Bizarro though, which makes him ineffectual. His tragedy is that he knows he’s fated to be useless and pointless but craves so much more.

NRAMA: Zibarro also represents a recurrent theme in the story, of Superman constantly facing alternate versions of himself – Bar–El, Samson and Atlas, the Superman Squad, even Luthor by the end. Notably, Hercules is absent, though Superman’s doing his Twelve Labors. With the mythological adventurers in particular, was this designed to equate Superman with their legend, to show how his character is greater than theirs, or both?

GM: In a way, I suppose. He did arm–wrestle them both, proving once and for all Superman’s stronger than anybody! And remember, these characters, along with Hercules, used to appear regularly in Superman books as his rivals. I thought they made better rivals than, say, Majestic or Ultraman because people who don’t read comics have heard of Hercules, Samson and Atlas and understand what they represent.

For that particular story, I wanted to see Superman doing tough guy shit again, like he did in the early days and then again in the 70s, when he was written as a supremely cocky macho bastard for a while. I thought a little bit of that would be an antidote to the slightly soppy, Super–Christ portrayal that was starting to gain ground.

Hence Samson’s broken arm, twisted in two directions beyond all repair. And Atlas in the hospital. And then Superman’s got his hot girlfriend dressed like a girl from Krypton and they’re making out on the moon (the original panel description was of something more like the famous shot of Burt Lancaster and Deborah Kerr kissing in the surf from “From Here To Eternity.” Frank’s final choice of composition is much more classically pulp–romantic and iconic than my down and dirty rumble in the moondirt would have been, I’m glad to say).

Newsarama: Tell us about some of the thinking behind the new antagonists you created for this series (at least the ones you want to talk about...): First up: Krull and the Subterranosaurs...

Grant Morrison: We wanted to create some throwaway new characters which would be designed to look as if they were convincing long–term elements of the Superman legend.

We were trying to create a few foes who had a classic feel and a solid backstory that could be explored again or in depth. Even if we never went back to these characters, we wanted them to seem rich enough to carry their own stories.

With Krull, we figured a superhuman character like Superman can always use a powerful “sub–human” opponent: a beast, a monster, a savage with the power to destroy civilization. For years I’ve had the idea that the familiar “gray aliens” might “actually” be evolved biped dinosaur descendants, the offspring of smart–thinking lizards which made their way to the warm regions at the Earth’s core.

I imagined these brutes developing their own technology, their own civilization, and then finally coming to the surface to declare bloody war on the mammalian usurpers! It seemed like we could develop this idea into the Krull backstory and suggest a whole epic conflict in a few panels.

Dom Regan, the Glasgow artist and DC colorist, saw the original green skin Jamie Grant had done for Krull, and suggested we make him red instead. Jamie reset his color filters and that was the moment Krull suddenly looked like a real Superman foe.

The red skin marked him out as unique, different and dangerous, even among his own species. It had echoes of Jack Kirby’s Devil Dinosaur that played right into the heart of the concept. A good design became a great design and the whole story of who Krull was – his twisted relationship with his father the Dino–Czar, his monstrous ambitions – came together in that first picture.

The society was fleshed out in the script even though we see only one panel of it – a gloomy, heavy, “Soviet” underworld of walled iron cities, cold blood and deadly intrigue. War–Barges that could sail on the oceans of heated steam at the center of the Earth. A Stalinist authoritarian lizard world where missing person cases were being taken to work and die as slaves in hellish underworld conditions.

NRAMA: Mechano–Man?

GM: An attempt to pre–imagine a classic, archetypal Superman foe, which started with another simple premise – how about a giant robot villain? But not just any giant robot – this is a rampaging machine with a raging little man inside.

Giving him a bitter, angry, scrawny loser as a pilot turned Mechano–Man into a much more extreme and pathological expression of the Man of Steel/Mild–Mannered Reporter dynamic, and added a few interesting layers onto an 8–panel appearance.

NRAMA: The Chronovore – a very disturbing creation, that one.

GM: The Chronovore was mentioned in passing in DC 1,000,000 and would have been the monster in my aborted Hypercrisis series idea. It took a long time to get the right design for the beast because it’s meant to be a 5–D being that we only ever see in 4–D sections. It had to work as a convincing representation of something much bigger that we’re seeing only where it interpenetrates our 4–D space-time continuum.

Imagine you’re walking along with a song in your teenage heart, then suddenly the Chronovore appears, takes bite out of your life, and you arrive at your girlfriend’s house aged 76, clutching a cell phone and a wilted bouquet.

NRAMA: One more obscure run that I was happy to see referenced in this was the use of Nasty from the old Mike Sekowsky Supergirl stories. What made you want to use this character?

GM: I remembered her from the old comics, and felt her fashion–y look could be updated very easily into the kind of fetish club thing I’ve always been partial to.

She seemed a cool and sexy addition to the Luthor plot. The set–up, where Lex has a fairly normal sister who hates how her wayward brother is such a bad influence on her brilliant daughter, is explosive with character potential.

They need to bring Nasty back to mainstream continuity. Geoff! They all want it and you know you never let them down!

NRAMA: Speaking of Mike Sekowsky, I’m curious about his influence on your work. I have an odd fascination with all the ideas and stories he was tossing around in the late 1960s and early 1970s – Jason’s Quest, Manhunter 2070, the I–Ching tales – and many of the characters he worked on, from the B”Wana Beast to the Inferior Five to Yankee Doodle (in Doom Patrol), have shown up in your work. The Bizarro Zoo in issue #10 is even slightly reminiscent of the Beast’s merged animals.

GM: Those were all comics that were around when I was a normal kid, prior to the obsessive collecting fan phase of my isolated teenage years. They clearly inspired me in some way, as you say, but certainly not consciously. I’d never have considered myself a particular fan of Mike Sekowsky’s work, but as you say, I’ve incorporated a lot of his ideas into the DC Universe work I’ve done. Hmm. Interesting.

While I’m at it, I should also say something about Samson and Atlas, halfway between old characters and new.

Samson, Atlas and Hercules were classical mainstays of old Superman covers, tangling with Superman in all those Silver Age stories that happened before he learned from his friends at Marvel that it was possible to fight other superheroes for fun and profit, so I decided to completely “re–vamp” the characters in the manner of superhero franchises. Marvel has the definitive Hercules for me, so I left him out of the mix and concentrated on Atlas and Samson.

Atlas was re–imagined as a mighty but restless and reckless young prince of the New Mythos – a society of mega–beings playing out their archetypal dramas between New Elysium and Hadia, with ordinary people caught in the middle – and Superman.

Essentially good–hearted, Atlas would have been the newbie in a “team” with Skyfather Xaoz!, Heroina, Marzak and the others. He has a bullish, adolescent approach to life. He drinks and plunges himself into ill–advised adventures to ease his naturally gloomy “weighed down by the world” temperament.

You can see it all now. The backstory suggested an unseen, Empyrean New Gods–type series from a parallel universe. What if, when Jack Kirby came to DC from Marvel in 1971, he’d followed up his sci–fi Viking Gods saga at Marvel, with a dimension–spanning epic rooted in Greek mythology? New Gods meets Eternals drawn by Curt Swan/Murphy Anderson? That was Atlas.

Samson, I decided would be a callback to the British newspaper strip “Garth.” Although you may already be imagining a daily strip about the exploits of time–tossed The Boys writer, Garth Ennis, it was actually about a blonde Adonis type who bounced around the ages having mildly horny, racy adventures.

(Go look him up then return the wiser before reading on, so I don’t have to explain anymore about this bastard – he’s often described as “the British Superman,” but oh...my arse! I hated meathead, personality–singularity Garth...but we all grew up with his meandering, inexplicable yet incredibly–drawn adventures and some of it was quite good when you were a little lad because he was always shagging ON PANEL with the likes of a bare–breasted cave girl or gauze–draped Helen of Troy.

(Unlike Superman, you see, the top British strongman liked to get naked. Lots naked. Naked in every time period he could get naked in, which was all of them thanks to the miracle of his bullshit powers.

(Imagine Doctor Who buff, dumb and naked all the time – Russell, I’ve had an idea!!!! – and that’s Garth in a nutshell.

(Sorry, I know I’m going on and the average attention span of anyone reading stuff on the Internet amounts to no more than a few paragraphs, but basically, Garth was always getting naked. In public, in family newspapers. Bollock naked. Let’s face it, patriotic Americans, have you ever seen Superman’s arse?

Newsarama Note: Well, there was Baby Kal-El in the 1978 film...

(Brits, hands up who still remember the man, and have you ever not seen Garth’s arse? Do you not, in fact, have a very clear image of it in your head, as drawn by Martin Asbury perhaps? In mine, Garth’s pulling aside a flimsy curtain to gaze at the pyramids with Cleopatra buck naked in foreground ogling his rock hard glutes...).

Anyway, Samson, I decided, was the Hebrew version of Garth and he would have his own mad comic that was like an American version of Garth. I saw the Bible hero plucked from the desert sands by time–travelling buffoons in search of a savior. Introduced to all the worst aspects of future culture and, using his stolen, erratic Chrono–Mobile, Samson became a time–(and space) traveling Soldier of Fortune, writing wrongs, humping princesses, accumulating and losing treasure etc. Like a science fiction Conan. Meets Garth.

Fortunately, you’ll never see any of these men ever again.

Newsarama: How have your perceptions of Superman and his supporting characters evolved since the Superman 2000 pitch you did with Mark Waid, Mark Millar and Tom Peyer? The Superman notions seem almost identical, but Luthor is very different here than in that pitch, and so is Clark Kent. Did you use some aspects of your original pitch, or have you just changed his mind on how to portray these characters since?

Grant Morrison: A little of both. I wanted to approach All Star Superman as something new, but there were a couple of specific aspects from the Superman 2000 pitch (as I mentioned earlier, it was actually called Superman Now, at least in my notebooks, which is where the bulk of the material came from) that I felt were definitely worth keeping and exploring.

I can’t remember much about Luthor from Superman Now, except for the ending. By the time I got to All Star Superman, I’d developed a few new insights into Luthor’s character that seemed to flesh him out more. Luthor’s really human and charismatic and hateful all the same time. He’s the brilliant, deluded egotist in all of us. The key for me was the idea that he draws his eyebrows on. The weird vanity of that told me everything I needed to know about Luthor.

I thought the real key to him was the fact that, brilliant as he is, Luthor is nowhere near as brilliant as he wants to be or thinks he is. For Luthor, no praise, no success, no achievement is ever enough, because there’s a big hungry hole in his soul. His need for acknowledgement and validation is superhuman in scale. Superman needs no thanks; he does what he does because he’s made that way. Luthor constantly rails against his own sense of failure and inadequacy...and Superman’s to blame, of course.

I’ve recently been re–thinking Luthor again for a different project, and there’s always a new aspect of the character to unearth and develop.

NRAMA: This story makes Superman and Lois’ relationship seem much more romantic and epic than usual, but this one also makes Superman more of the pursuer. Lois seems like more of an equal, but also more wary of his affections, particularly in the black–and–white sequence in issue #2.

She becomes this great beacon of support for him over the course of the series, but there is a sense that she’s a bit jaded from years of trickery and uncomfortable with letting him in now that he’s being honest. How, overall, do you see the relationship between Superman and Lois?

GM: The black-and-white panels shows Lois paranoid and under the influence of an alien chemical, but yes, she’s articulating many of her very real concerns in that scene.

I wanted her to finally respond to all those years of being tricked and duped and led to believe Superman and Clark Kent were two different people. I wanted her to get her revenge by finally refusing to accept the truth.

It also exposed that brilliant central paradox in the Superman/Lois relationship. The perfect man who never tells a lie has to lie to the woman he loves to keep her safe. And he lives with that every day. It’s that little human kink that really drives their relationship.

NRAMA: Jimmy Olsen is extremely cool in this series – it’s the old “Mr. Action” idea taken to a new level. It’s often easy to write Jimmy as a victim or sycophant, but in this series, he comes off as someone worthy of being “Superman’s Pal” – he implicitly trusts Superman, and will take any risk to get his story. Do you see this version of Jimmy as sort of a natural evolution of the version often seen in the comics?

GM: It was a total rethink based on the aspects of Olsen I liked, and playing down the whole wet–behind–the–ears “cub reporter” thing. I borrowed a little from the “Mr. Action” idea of a more daredevil, pro–active Jimmy, added a little bit of Nathan Barley, some Abercrombie & Fitch style, a bit of Tintin, and a cool Quitely haircut.

Jimmy was renowned for his “disguises” and bizarre transformations (my favorite is the transvestite Olsen epic “Miss Jimmy Olsen” from Jimmy Olsen #95, which gets a nod on the first page of our Jimmy story we did), so I wanted to take that aspect of his appeal and make it part of his job.

I don’t like victim Jimmy or dumb Jimmy, because those takes on the character don’t make any sense in their context. It seemed more interesting see what a young man would be like who could convincingly be Superman’s “pal.” Someone whose company a Superman might actually enjoy. That meant making Jimmy a much bigger character: swaggering but ingenuous. Innocent yet worldly. Enthusiastic but not stupid.

My favorite Jimmy moment is in issue #7 when he comes up with the way to defeat the Bizarro invasion by using the seas of the Bizarro planet itself as giant mirrors to reflect toxic – to Bizarros – sunlight onto the night side of the Earth. He knows Superman can actually take crazy lateral thinking like this and put it into practice.

NRAMA: Perry White has a few small–but–key scenes, particularly his address to his staff in issue #1 and standing up to Luthor in issue #12. I’d like to hear more about your thoughts on this character.

GM: As with the others, my feelings are there on the page. Perry is Clark’s boss and need only be that and not much more to play his role perfectly well within the stories. He’s a good reminder that Superman has a job and a boss, unlike that good–for–nothing work-shy bastard Batman. Perry’s another of the series’ older male role models of integrity and steadfastness, like Pa Kent.

NRAMA: There’s a sense in the Daily Planet scenes and with Lois’s spotlight issues that everyone knows Clark is Superman, but they play along to humor him. The Clark disguise comes off as very obvious in this story. Do you feel that the Planet staff knows the truth, or are just in a very deep case of denial, like Lex?

GM: If I had to say for sure, I think Jimmy Olsen worked it out a long time ago, and simply presumes that if Superman has a good reason for what he’s doing, that’s good enough for Jimmy.

Lois has guessed, but refuses to acknowledge it because it exposes her darkest flaw – she could never love Clark Kent the way she loves Superman.

NRAMA: Also, the Planet staff seems awfully nonchalant at Luthor’s threats. Are they simply used to being attacked by now?

GM: Yes. They’re a tough group. They also know that Superman makes a point of looking out for them, so they naturally try to keep Luthor talking. They know he loves to talk about himself and about Superman. In that scene, he’s almost forgotten he even has powers, he’s so busy arguing and making points. He keeps doing ordinary things instead of extraordinary things.

NRAMA: The running gag of Clark subtly using his powers to protect unknowing people is well done, but I have to admit I was confused by the sequence near the end of issue #1. Was that an el–train, and if so, why was it so close to the ground?

GM: It’s a MagLev hover–train. Look again, and you’ll see it’s not supported by anything. Hover–trains help ease congestion in busy city streets! Metropolis is the City of Tomorrow, after all.

NRAMA: And there’s the death of Pa Kent. Why do you feel it’s particularly important to have Pa and not both of the Kents pass away?

GM: I imagined they had both passed away fairly early in Superman’s career, but Ma went a few years after Pa. Also, because the book was about men or man, it seemed important to stress the father/son relationships. That circle of life, the king is dead, long live the king thing that Superman is ultimately too big and too timeless to succumb to.

NRAMA: There is a real touch of Elliott S! Maggin’s novels in your depiction of Luthor – someone who is just so obsessive–compulsive about showing up Superman that he accomplishes nothing in his own life. He comes across as a showman, from his rehearsed speech in issue #1 to his garish costume in the last two issues, and it becomes painfully apparent that he wants to usurp Superman because he just can’t be happy with himself. What defeats him is actually a beautiful gift, getting to see the world as Superman does, and finally understanding his enemy.

That’s all a lead–in to: What previous stories that defined Luthor for you, and how did you define his character? What appeals to you about writing him?

GM: The Marks Waid and Millar were big fans of the Maggin books, and may have persuaded me to read at least the first one but I’m ashamed to say can’t remember anything about it, other than the vague recollection of a very humane, humanist take on Superman that seemed in general accord with the pacifist, hedonistic, between–the–wars spirit of the ‘90s when I read it. It was the ‘90s; I had other things on my mind and in my mind.

I like Maggin’s “Must There Be A Superman?” from Superman #247, which ultimately poses questions traditional superhero comic books are not equipped to answer and is one of the first paving stones in the Yellow Brick Road that leads to Watchmen and beyond, to The Authority, The Ultimates etc. Everyone still awake, still reading this, should make themselves familiar with “Must There Be A Superman?” – it’s a milestone in the development of the superhero concept.

However, the story that most defines Luthor for me turns out to be, as usual, a Len Wein piece with Curt Swan/Murphy Anderson– Superman #248. This blew me away when I was a kid. Lex Luthor cares about humanity? He’s sorry we all got blown up? The villain loves us too? It’s only Superman he really hates? Genius. Big, cool adult stuff.

The divine Len makes Lex almost too human, but it was amazing to see this kind of depth in a character I’d taken for granted as a music hall villain.

I also love the brutish Satanic, Crowley–esque, Golden Age Luthor in the brilliant “Powerstone” Action Comics #47 (the opening of All Star #11 is a shameless lift from “Powerstone”, as I soon realised when I went back to look. Blame my...er...photographic memory...cough).

And I like the Silver Age Luthor who only hates Superman because he thinks it’s Superboy’s fault he went bald. That was the most genuinely human motivation for Luthor’s career of villainy of all; it was Superman’s fault he went bald! I can get behind that.

In the Silver Age, baldness, like obesity, old age and poverty, was seen quite rightly as a crippling disease and a challenge which Superman and his supporting cast would be compelled to overcome at every opportunity! Suburban “50s America versus Communist degeneracy? You tell me.

I like elements of the Marv Wolfman/John Byrne ultra–cruel and rapacious businessman, although he somewhat lacks the human dimension (ultimately there’s something brilliant about Luthor being a failed inventor, a product of Smallville/Dullsville – the genius who went unnoticed in his lifetime, and resorted to death robots in chilly basements and cellars. Luthor as geek versus world). I thought Alan Moore’s ruthlessly self–assured “consultant” Luthor in Swamp Thing was an inspired take on the character as was Mark Waid’s rage–driven prodigy from Birthright.

I tried to fold them all into one portrayal. I see him as a very human character – Superman is us at our best, Luthor is us when we’re being mean, vindictive, petty, deluded and angry. Among other things. It’s like a bipolar manic/depressive personality – with optimistic, loving Superman smiling at one end of the scale and paranoid, petty Luthor cringing on the other.

I think any writer of Superman has to love these two enemies equally. We have to recognize them both as potentials within ourselves. I think it’s important to find yourself agreeing with Luthor a bit about Superman’s “smug superiority” – we all of us, except for Superman, know what it’s like to have mean–spirited thoughts like that about someone else’s happiness. It’s essential to find yourself rooting for Lex, at least a little bit, when he goes up against a man–god armed only with his bloody–minded arrogance and cleverness.

Even if you just wish you could just give him a hug and help him channel his energies in the right direction, Luthor speaks for something in all of us, I like to think.

However he’s played, Luthor is the male power fantasy gone wrong and turned sour. You’ve got everything you want but it’s not enough because someone has more, someone is better, someone is cleverer or more handsome.

Newsarama: Grant, a recurring theme throughout the book is the effect of small kindness – how even the likes of Steve Lombard are capable of decency. And Superman gets the key to saving himself by doing something that any human being could do, offering sympathy to a person about to end it all.

Grant Morrison: Completely...the person you help today could be the person who saves your life tomorrow.

NRAMA: The character actions that make the biggest difference, from Zibarro’s sacrifice to Pa’s influence on Superman, are really things that any normal, non-powered person could do if they embrace the best part of their humanity. The last page of issue #12 teases the idea that Superman’s powers could be given to all mankind, but it seems as though the greatest gift he has given them is his humanity. How do you view Superman’s fate in the context of where humanity could go as a species?

GM: I see Superman in this series as an Enlightenment figure, a Renaissance idea of the ideal man, perfect in mind, body and intention.

A key text in all of this is Pico’s ‘Oration On The Dignity of Man’ (15c), generally regarded as the ‘manifesto’ of Renaissance thought, in which Giovanni Pico Della Mirandola laid out the fundamentals of what we tend to refer to as ’Humanist’ thinking.

(The ‘Oratorio’ also turns up in my British superhero series Zenith from 1987, which may indicate how long I’ve been working towards a Pico/Superman team-up!)

At its most basic, the ‘Oratorio’ is telling us that human beings have the unique ability, even the responsibility, to live up to their ‘ideals’. It would be unusual for a dog to aspire to be a horse, a bird to bark like a dog, or a horse to want to wear a diving suit and explore the Barrier Reef, but people have a particular gift for and inclination towards imitation, mimicry and self-transformation. We fly by watching birds and then making metal carriers that can outdo birds, we travel underwater by imitating fish, we constantly look to role models and behavioral templates for guidance, even when those role models are fictional TV or, comic, novel or movie heroes, just like the soft, quick, shapeshifty little things we are. We can alter the clothes we wear, the temperature around us, and change even our own bodies, in order to colonize or occupy previously hostile environments. We are, in short, a distinctively malleable and adaptable bunch.

So, Pico is saying, if we live by imitation, does it not make sense that we might choose to imitate the angels, the gods, the very highest form of being that we can imagine? Instead of indulging the most brutish, vicious, greedy and ignorant aspects of the human experience, we can, with a little applied effort, elevate the better part of our natures and work to express those elements through our behavior. To do so would probably make us all feel a whole lot better too. Doing good deeds and making other people happy makes you feel totally brilliant, let’s face it.

So we can choose to the astronaut or the gangster. The superhero or the super villain. The angel or the devil. It’s entirely up to us, particularly in the privileged West, how we choose to imagine ourselves and conduct our lives.

We live in the stories we tell ourselves. It’s really simple. We can continue to tell ourselves and our children that the species we belong to is a crawling, diseased, viral cancer smear, only fit for extinction, and let’s see where that leads us.

We can continue to project our self-loathing and narcissistic terror of personal mortality onto our culture, our civilization, our planet, until we wreck the promise of the world for future generations in a fit of sheer self-induced panic...

...or we can own up to the scientific fact that we are all physically connected as parts of a single giant organism, imagine better ways to live and grow...and then put them into practice. We can stop pissing about, start building starships, and get on with the business of being adults.

The ’Oratorio’ is nothing less than the Shazam!, the Kimota! for Western Culture and we would do well to remember it in our currently trying times.

The key theme of the ‘Dark Age’ of comics was loss and recovery of wonder - McGregor’s Killraven trawling through the apocalyptic wreckage of culture in his search for poetry, meaning and fellowship, Captain Mantra, amnesiac in Robert Mayer’s Superfolks, Alan Moore’s Mike Maxwell trudging through the black and white streets of Thatcher’s Britain, with the magic word of transformation burning on the tip of his tongue.

My own work has been an ongoing attempt to repeat the magic word over and over until we all become the kind of superheroes we’d all like to be. Ha hah ha.

Newsarama: The structure of the 12 issues involves both Superman’s 12 labors and his impending death. Do you feel the threat of his demise brings out the best in Superman’s already–high character, or did you intend it more as a window for the audience to understand how he sees the world?

Grant Morrison: In trying to do the “big,” ultimate Superman story, we wanted to hit on all the major beats that define the character – the “death of Superman” story has been told again and again and had to be incorporated into any definitive take. Superman’s death and rebirth fit the sun god myth we were establishing, and, as you say, it added a very terminal ticking clock to the story.

NRAMA: When we talked earlier this year, we discussed the neurotic quality of the Silver Age stories. Looking at the series as a whole, you consistently invert this formula. Superman is faced with all these crises that could be seen as personifying his neuroses, but for the most part he handles them with a level head and comes across as being very at peace with himself. You talked about your discussion with an in–character Superman fan at a convention years ago, but I am curious as to how you determined Superman’s mindset.

GM: I felt we had to live up to the big ideas behind Superman. I don’t take my daft job lightly. It’s all I’ve got.

As the project got going, I wasn’t thinking about Silver Ages or Dark Ages or anything about the comics I’d read, so much as the big shared idea of “Superman” and that “S” logo I see on T–shirts everywhere I go, on girls and boys. That communal Superman. I wanted us to get the precise energy of Platonic Superman down on the page.

The “S” hieroglyph, the super–sigil, stands for the very best kind of man we can imagine, so the subject dictated the methodical, perfectionist approach. As I’ve mentioned before, I keep this aspect of my job fresh for myself by changing my writing style to suit the project, the character or the artist.

With something like Batman R.I.P., I’m aiming for a frenzied Goth Pulp-Noir; punk-psych, expressionist shadows and jagged nightmare scene shifts, inspired by Batman’s roots and by the snapping, fluttering of his uncanny cape. Final Crisis was written, with the Norse Ragnarok and Biblical Revelations in mind, as a story about events more than characters. A doom-laden, Death Metal myth for the wonderful world of Fina(ncia)l Crisis/Eco-breakdown/Terror Trauma we all have to live in.

The subject matter drives the execution. And then, of course, the artists add their own vision and nuance. With All Star Superman, “Frank” and I were able to spend a lot of time together talking it through, and we agreed it had to be about grids, structure, storybook panel layouts, an elegance of form, a clarity of delivery. “Classical” in every sense of the word. The medium, the message, the story, the character, all working together as one simple equation.

Frank Quitely, a Glasgow Art School boy, completely understood without much explanation, the deep structural underpinnings of the series and how to embody them in his layouts. There’s a scene in issue # 8, set on the Bizarro world, where we see Le Roj handing Superman his rocket plans. Look at the arrangement of the figures of Zibarro, Le Roj, Superman and Bizaro–Superman and you’ll see one attempt to make us of Renaissance compositions.

The sense of sunlit Zen calm we tried to get into All Star is how I imagine it might feel to think the way Superman thinks all the time - a thought process that is direct, clean, precise, mathematical, ordered. A mind capable of fantastical imagination but grounded in the everyday of his farm upbringing with nice decent folks. Rich with humour and tears and deep human significance, yet tuned to a higher key. We tried to hum along for a little while, that’s all.

In honor of the character’s primal position in the development of the superhero narrative, I hoped we could create an “ultimate” hero story, starring the ultimate superhero.

Basically, I suppose I felt Superman deserved the utmost application of our craft and intelligence in order to truly do him justice.

Otherwise, I couldn’t have written this book if I hadn’t watched my big, brilliant dad decline into incoherence and death. I couldn’t have written it if I’d never had my heart broken, or mended. I couldn’t have written it if I hadn’t known what it felt like to be idolized, misunderstood, hated for no clear reason, loved for all my faults, forgotten, remembered...

Writing All Star Superman was, in retrospect, also a way of keeping my mind in the clean sunshine while plumbing the murkiest depths of the imagination with that old pair of c****s Darkseid and Doctor Hurt. Good riddance.

Newsarama: This is touched on in other questions, but how much of the Silver/Bronze Age backstory matters here? What do you see as Superman's life prior to All-Star Superman? (What was going on with this Superman while the Byrne revamp took hold?)

Grant Morrison: When I introduced the series in an interview online, I suggested that All Star Superman could be read as the adventures of the ‘original’ Pre-Crisis on Infinite Earths Superman, returning after 20 plus years of adventures we never got to see because we were watching John Byrne‘s New Superman on the other channel. If ‘Whatever Happened To The Man of Tomorrow?’ and the Byrne reboot had never happened, where would that guy be now?

This was more to provide a sense, probably limited and ill-considered, of what the tone of the book might be like. I never intended All Star Superman as a direct continuation of the Weisinger or Julius Schwartz-era Superman stories. The idea was always to create another new version of Superman using all my favorite elements of past stories, not something ‘Age’ specific.

I didn’t collect Superman comics until the ‘70s and I’m not interested enough in pastiche or nostalgia to spend 6 years of my life playing post-modern games with Superman. All Star isn’t written, drawn or colored to look or read like a Silver Age comic book.

All Star Superman is not intended as arch commentary on continuity or how trends in storytelling have changed over the decades. It’s not retro or meta or anything other than its own simple self; a piece of drawing and writing that is intended by its makers to capture the spirit of its subject to the best of their capabilities, wisdom and talent.

Which is to say, we wanted our Superman story be about life, not about comics or superheroes, current events or politics. It’s about how it feels, specifically to be a man...in our dreams! Hopefully that means our 12 issues are also capable of wide interpretation.

So as much as we may have used a few recognizable Silver Age elements like Van-Zee and Sylv(i)a and the Bottle City of Kandor, the ensemble Daily Planet cast embodies all the generations of Superman. Perry White is from 1940, Steve Lombard is from the Schwartz-era ‘70s, Ron Troupe - the only black man in Metropolis - appeared in 1991. Cat Grant is from 1987 and so on.

P.R.O.J.E.C.T. refers back to Jack Kirby’s DNA Project from his ‘70s Jimmy Olsen stories, as well as to The Cadmus Project from ’90s Superboy and Superman stories. Doomsday is ‘90s. Kal Kent, Solaris and the Infant Universe of Qwewq all come from my own work on Superman in the same decade. Pa Kent’s heart attack is from ‘Superman the Movie‘. We didn’t use Brainiac because he’d been the big bad in Earth 2 but if we had, we’d have used Brainiac’s Kryptonian origin from the animated series and so on.

I also used quite a few elements of John Byrne’s approach. Byrne made a lot of good decisions when he rebooted the whole franchise in 1986 and I wanted to incorporate as much as I could of those too.

Our Superman in All Star was never Superboy, for instance. All Star Superman landed on Earth as a normal, if slightly stronger and fitter infant, and only began to manifest powers in adolescence when he’d finally soaked up enough yellow solar radiation to trigger his metamorphosis.

The Byrne logic seemed to me a better way to explain how his powers had developed across the decades, from the skyscraper leaps of the early days to the speed-of-light space flight of the high Silver Age. And more importantly, it made the Superman myth more poignant - the story of a farm boy who turned into an alien as he reached adolescence. I felt that was something that really enriched Superman. He grew away from his home, his family, his adopted species as he became Superman. His teenage years are a record of his transformation from normal boy to super-being.

As you say, there are more than just Silver Age influences in the book. Basically we tried to create a perfect synthesis of every Superman era. So much so, that it should just be taken as representative of an ‘age’ all its own.

In the end, however, I do think that the Silver Age type stories, with their focus on human problems and foibles, have a much wider appeal than a lot of the work which followed. They’re more like fables or folk tales than the later ‘comic book superhero’ stories of Superman when he became just another colorful costume in the crowd...and perhaps that’s why All Star seemed to resemble those books more than it does a typical modern Marvel or DC comic. It was our intention to present a more universal, mainstream Superman.

NRAMA: In your depiction of Krypton and the Kryptonians, you show the complexity of Superman’s relationship between humanity and Earth even further. Krypton has that scientific paradise quality to it, but the Kryptonians are also portrayed as slightly aloof and detached, even Jor-El. But from Bar-El to the people of Kandor, they’re touched by Superman’s goodness. What do you see as the fundamental difference between Kryptonians and Earthlings, and how has Superman’s character been shaped by each?

GM: My version of Krypton was, again, synthesized from a number of different approaches over the decades.  In mythic terms, if Superman is the story of a young king, found and raised by common people, then Krypton is the far distant kingdom he lost. It’s the secret bloodline, the aristocratic heritage that makes him special, and a hero. At the same time, Krypton is something that must be left behind for Superman to become who he is - i.e. one of us. Krypton gives him his scientific clarity of mind, Earth makes his heart blaze.

I liked the very early Jerry Siegel descriptions where Krypton is a planet of advanced supermen and women (I already played with that a little in Marvel Boy where Noh-Varr was written to be the Marvel Superboy basically). To that, I added the rich, science fiction detailing of the Silver Age Krypton stories and the slightly detached coolness that characterized John Byrne’s Krypton, which I re-interpreted through the lens of Dzogchen Buddhist thought, probably the most pragmatic, chilly and rational philosophic system on the planet and the closest, I felt, to how Kryptonians might see things.

We also took some time to redesign the crazy, multicolored Kryptonian flag (you can see our version in Kandor in issue #10). The flag, as originally imagined, seemed like the last thing Kryptonians would endorse, so we took the multicolored-rays-around-a-circle design and recreated it - the central circle is now red, representing Krypton’s star, Rao, while the rays, rather than arbitrary colors, become representations of the spectrum of visible light pouring from Rao into the inky black of space. In this way, the flag, that bizarre emblem of nationalism becomes a scientific hieroglyph.

Showing Krypton and Kryptonians was also important as a way of stressing why Superman wears that costume and why it makes absolute sense that he looks the way he does. I don’t see the red and blue suit as a flag or as rewoven baby blankets. There’s no need for Superman to dress the way he does but it made sense to think of his outfit as his ‘national costume‘.

The way I see it, the standard superhero outfit, the familiar Superman suit with the pants on the outside, is what everyone wore on Krypton, give or take a few fashion accessories like hoods and headbands, chest crests and variant colors. In fact, all other superheroes are just copying the fashions on Krypton, lost planet of the super-people.

Superman wears his ’action-suit’ the way a patriotic Scotsman would wear a kilt. It’s a sign of his pride in his alien heritage.

Newsarama: Although All–Star Superman ties in with DC One Million, you style of writing has changed dramatically since then. How do you feel about One Million now?

Grant Morrison: I just read it again and liked it a lot. Comics were definitely happier, breezier and more confident in their own strengths before Hollywood and the Internet turned the business of writing superhero stories into the production of low budget storyboards or, worse, into conformist, fruitless attempts to impress or entertain a small group of people who appear to hate comics and their creators.

NRAMA: Obviously, this book is the most explicit SF–Christ story since Behold the Man, only...happy. Superman/Christ parallels have existed for decades, but this story makes it absolutely explicit, from laying his hands on the sick and dying to...well, most of issue #12. You’ve dealt with Christ themes before, particularly in The Mystery Play, but outside of the comics, how do you see Superman as a Christ figure for the “real” world?

GM: The “Superman as Christ” thing is a little too reductive for me, and tends to overlook the fact that Superman is by no means a pacifist in the Christ sense. Superman would never turn the other cheek; Superman punches out the bully. Superman is a fighter.

When did Christ ever batter the Devil through a mountain?

The thing I disliked about the Superman Returns movie was the American Christ angle, which reduced Superman to a sniveling, masochistic wreck, crawling around on the floor, taking a kicking from everyone. This approach had an odd and slightly disturbing S&M flavor, which didn’t play well to the character’s strengths at all and seemed to derive entirely from a kind of Catholic vision of the suffering, martyred Jesus.

It’s not that he’s based on Jesus, but simply that a lot of the mythical sun god elements that have been layered onto the Christ story also appear in the story of Superman. I suppose I see Superman more as pagan sci–fi. He’s a secular messiah, a science redeemer with tough guy muscles and a very direct and clear morality.

NRAMA: Continuing the religious themes, in issue #10, you have Superman literally giving birth to himself, both philosophically and as a character – a nice little meta–moment showing how Superman inspires a world where he is only fiction. How did that idea come about?

GM: It came from the challenge we’d set ourselves: as I said, issue #10 had been left as a blank space into which the single most coherent condensation of all our ideas about Superman were destined to fit.

I wanted to do a “day in the life” story. So much of All Star had been about this threat to Superman himself, so we wanted to show him going about a typical day saving people and doing good.

Then came the title “Neverending,” which comes from the opening announcement – “Faster than a speeding bullet!...” of the Superman radio show from 1940, and seemed to me to be as good a title for a Superman story as any I could think of. It seemed to distil everything about Superman’s battle and his legend into a single word. And the story structure itself was designed to loop endlessly, so it went well with that.

On top of that went the idea of the Last Will and Testament of Superman. A dying god writing his will seemed like an interesting structure to use. Then came the idea to fit all of human history into that single 24 hours. And then to show the development of the Superman idea through human culture from the earliest Australian Aboriginal notions of super–beings ‘descended” from the sky, through the complex philosophical system of Hinduism, onto the Renaissance concept of the ideal man, via the refinements of Nietzche and finally, down to that smiling, hopeful Joe Shuster sketch; the final embodiment of humanity’s glorious, uplifting notion of the superman become reduced to a drawing, a story for kids, a worthless comic book.

And also what that could mean in a holographic fractal universe, where the smallest part contains and reflects the whole.

Of course the next panel in that sequence is happening in the real world and would show you, the reader, sitting with the latest Superman issue in your hands, deep within the Infant Universe of Qwewq in the Fortress of Solitude, today, wherever you are. In “Neverending,” the reader becomes wrapped in a self–referential loop of story and reality. If you actually, seriously think about what is happening at this point in the story, if you meditate upon the curious entanglement of the real and the fictional, you will become enlightened in this life apparently. According to some texts.

NRAMA: On a personal level, you’ve explored all types of religions and philosophies in your work. What is your take on religion and how it influences humanity, and the Christian take on Jesus Christ in particular?

GM: I think religion per se, is a ghastly blight on the progress of the human species towards the stars. At the same time, it, or something like it, has been an undeniable source of comfort, meaning and hope for the majority of poor bastards who have ever lived on Earth, so I’m not trying to write it off completely. I just wish that more people were educated to a standard where they could understand what religion is and how it works. Yes, it got us through the night for a while, but ultimately, it’s one of those ugly, stupid arse–over–backwards things we could probably do without now, here on the Planet of the Apes.

Religion is to spirituality what porn is to sex. It’s what the Hollywood 3–act story template is to real creative writing.

Religion creates a structure which places “special,” privileged people (priests) between ordinary people and the divine, as if there could even be any separation: as if every moment, every thought, every action was not already an expression of dynamic ‘divinity” at work.

As I’ve said before, the solid world is just the part of heaven we’re privileged to touch and play with. You don’t need a priest or a holy man to talk to “god” on your behalf: just close your eyes and say hello. “God” is no more, no less, than the sum total of all matter, all energy, all consciousness, as experienced or conceptualized from a timeless perspective where everything ever seems to present all at once. “God” is in everything, all the time and can be found there by looking carefully. The entire universe, including the scary, evil bits, is a thought “God” is thinking, right now.

As far as I can figure it out from my own reading and my own experience of how the spiritual world works, Jesus was, as they say, way cool: a man who achieved a state of consciousness, which nowadays would get him a diagnosis of temporal lobe epilepsy (in the days of the Emperor Tiberius, he was crucified for his ideas, today he’d be laughed at, mocked or medicated).

This “holistic” mode of consciousness (which Luthor experiences briefly at the end of All Star Superman) announces itself as a heartbreaking connection, a oneness, with everything that exists...but you don’t have to be Superman to know what that feeling is like. There are a ton of meditation techniques which can take you to this place. I don’t see it as anything supernatural or religious, in fact, I think it’s nothing more than a developmental level of human consciousness, like the ability to see perspective – which children of 4 cannot do but children of 6 can.

Everyone who’s familiar with this upgrade will tell you the same thing: it feels as if “alien” or “angelic” voices – far more intelligent, coherent and kindly than the voices you normally hear in your head – are explaining the structure of time and space and your place in it.  This identification with a timeless supermind containing and resolving within itself all possible thoughts and contradictions, is what many people, unsurprisingly, mistake for an encounter with “God.” However, given that this totality must logically include and resolve all possible thoughts and concepts, it can also be interpreted as an actual encounter with God, so I’m not here to give anyone a hard time over interpretation.

Some people have the experience and believe the God of their particular culture has chosen them personally to have a chat with. These people may become born–again Christians, fundamentalist Muslims, devotees of Shiva, or misunderstood lunatics. Some “contactees” interpret the voices they hear erroneously as communications from an otherworldly, alien intelligence, hence the proliferation of “abduction” accounts in recent decades, which share most of their basic details with similar accounts, from earlier centuries, of people being taken away by “fairies” or “little people”.

Some, who like to describe themselves as magicians, will recognize the “alien” voice as the “Holy Guardian Angel”.

In timeless, spaceless consciousness, the singular human mind blurs into a direct experience of the totality of all consciousness that has ever been or will ever be. It feels like talking with God but I see that as an aspect of science, not religion.

As Peter Barnes wrote in “The Ruling Class”, “I know I must be God because when I pray to Him, I find I’m talking to myself.”

Newsarama: When we spoke earlier this year, you talked about some of your ideas for future All Star stories. Are you moving forward on those, or have you started working on different ideas since then?

Grant Morrison: I haven’t had time to think about them for a while. I did have the stories worked out, and I’d like to do more, but right now it feels like Frank and Jamie and I have said all there is to be said. I don’t know if I’m ready to do All Star Superman with anyone else right now. I have other plans.

NRAMA: You end the book with Superman having uplifted humanity – having inspired them through his sacrifice and great deeds, and with the potential to pass his powers on to humanity still there. Do you plan to explore this concept further, or would you prefer to leave it open–ended?

GM: I may go back to the Son of Superman in some way. At the same time, it’s best left open–ended. I like the idea that Superman gets to have his cake and eat it; he becomes golden and mythical and lives forever as a dream. Yet, he also is able to sire a child who will carry his legacy into the future. He kicks ass in both the spiritual and the temporal spheres!

NRAMA: The notion of transcendence – always a big part of your work. But the debate about All Star Superman is whether or not it "transcends its genre." Superman becomes transcendent within the series itself, and inspires the beings on Qwewq, but does the work aspire to more than that? Is it simply the greatest version of a Superman story, and that’s enough?

GM: That would certainly be enough if it were true.

It’s a pretty high–level attempt by some smart people to do the Superman concept some justice, is all I can say. It’s intended to work as a set of sci–fi fables that can be read by children and adults alike. I’d like to think you can go to it if you’re feeling suicidal, if you miss your dad, if you’ve had to take care of a difficult, ailing relative, if you’ve ever lost control and needed a good friend to put you straight, if you love your pets, if you wish your partner could see the real you...All Star is about how Superman deals with all of that.

It’s a big old Paul Bunyan style mythologizing of human - and in particular male - experience. In that sense I’d like to think All Star Superman does transcend genre in that it’s intended to be read on its own terms and needs absolutely no understanding of genre conventions or history around it to grasp what’s going on.

In today’s world, in today’s media climate designed to foster the fear our leaders like us to feel because it makes us easier to push around. In a world where limp, wimpy men are forced to talk tough and act ‘badass’ even though we all know they’re shitting it inside. In a world where the measure of our moral strength has come to lie in the extremity of the images we’re able to look at and stomach. In a world, I’m reliably told, that’s going to the dogs, the real mischief, the real punk rock rebellion, is a snarling, ‘fuck you’ positivity and optimism. Violent optimism in the face of all evidence to the contrary is the Alpha form of outrage these days. It really freaks people out.

I have a desire not to see my culture and my fellow human beings fall helplessly into step with a middle class media narrative that promises only planetary catastrophe, as engineered by an intrinsically evil and corrupt species which, in fact, deserves everything it gets.

Is this relentless, downbeat insistence that the future has been cancelled really the best we can come up with? Are we so fucked up we get off on terrifying our children? It’s not funny or ironic anymore and that’s why we wrote All Star Superman the way we did. Everything has changed. ‘Dark’ entertainment now looks like hysterical, adolescent, ‘Zibarro’ crap. That’s what my Final Crisis series is about too.

NRAMA (aka Tim Callahan): Continuing with the theme of transcendence: The words "ineffectual" and "surrender" are repeated throughout the book. Discuss.

GM: Discuss yourself, Callahan! I know you have the facilities and I should think it’s all rather obvious.  

NRAMA: What was the inspiration for the image of Superman in the sun at the end? (I confess this question comes as the result of much unsuccessful Googling)

GM: I didn’t have any specific reference in mind - just that one we‘ve all sort of got in our heads. I drew the figure as a sketch, intended to be reminiscent of William Blake’s cosmic figures, Russian Constructivist Soviet Socialist Worker type posters, and Leonardo’s ‘Proportions of the Human Figure‘. The position of the legs hints at the Buddhist swastika, the clockwise sun symbol. It was to me, the essence of that working class superheroic ideal I mentioned, condensed into a final image of mythic Superman, - our eternal, internal, guiding, selfless, tireless, loving superstar. The daft All Star Superman title of the comic is literalized in this last picture. It’s the ‘fearful symmetry’ of the Enlightenment project - an image of genius, toil, and our need to make things, to fashion art and artifacts, as a form of superhuman, divine imitation.

It was Superman as this fusion of Renaissance/Enlightenment ideas about Man and Cosmos, an impossible union of Blake and Newton. A Pop Art ‘Vitruvian Man‘. The inspiration for the first letter of the new future alphabet!

As you can see, we spent a lot of time thinking about all this and purifying it down to our own version of the gold. I’m glad it’s over.

NRAMA: Finally: What, above all else, would you like people to take away from All Star Superman?

GM: That we spent a lot of time thinking about this!

No. What I hope is that people take from it the unlikelihood that a piece of paper, with little ink drawings of figures, with little written words, can make you cry, can make your heart soar, can make you scared, sad, or thrilled. How mental is that?

That piece of paper is inert material, the corpse of some tree, pulped and poured, then given new meaning and new life when the real hours and real emotions that the writer and the artist, the colorist, the letter the editor translated onto the physical page, meet with the real hours and emotions of a reader, of all readers at once, across time, generations and distance.

And think about how that experience, the simple experience of interacting with a paper comic book, along with hundreds of thousands of others across time and space, is an actual doorway onto the beating heart of the imminent, timeless world of “Myth” as defined above. Not just a drawing of it but an actual doorway into timelessness and the immortal world where we are all one together.

My grief over the loss of my dad can be Superman’s grief, can trigger your own grief, for your own dad, for all our dads. The timeless grief that’s felt by Muslims and Christians and Agnostics alike. My personal moments of great and romantic love, untainted by the everyday, can become Superman’s and may resonate with your own experience of these simple human feelings.

In the one Mythic moment we’re all united, kissing our Lover for the First time, the Last time, the Only time, honoring our dear Dad under a blood red sky, against a darkening backdrop, with Mum telling us it’ll all be okay in the end.

If we were able to capture even a hint of that place and share it with our readers, that would be good enough for me.

#All Star Superman #Grant Morrison #Superman

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jabbers-wild-world · 4 years ago

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Jabber’s Muse List (as of 5/16/2021)

;; All right, everybody. If you were looking for a current and complete list of all of my muses, as updated as it can be for now (since you all know I am always adding more), look no further than right here. This is as complete as it gets until I add more again!

Aaarrrghh (Tales of Arcadia)

- Very large, but affectionate, “pacifist” troll currently allied with Jim Lake Jr. and friends, Toby’s ‘wingman’

Aaravos (The Dragon Prince)

- Startouch Elf, unknown motives, appears to be evil but that is as of yet unclear, usually very polite and dignified

Ace (Kuni no Alice)

- The Red Knight, clueless idiot frequently getting himself lost, generally friendly but does have a mild dark side

Adam (RWBY)

- Bull Faunus, perceived evil and leader of the White Fang, mild canon divergence

Adam (OC, Blossoms of the Heart)

- Half-minotaur, has an unfortunate aggression problem due to minotaur bloodline, suitor to the princess

Aden (OC, Blossoms of the Heart)

- Human suitor to the princess, generally rather calm and friendly, usually polite and very honest

Adrien (Miraculous)

- Current wielder of the Black Cat Miraculous, sheltered rich kid who just wants to be like everyone else his age

Ahanu (OC, The Untamed Wilds series)

- Centaur, American Paint Horse, Lawson’s second in command, is generally more serious and reserved than Lawson, but he has been known to crack a joke or two from time to time, and he is a force to be reckoned with if you cross him.

Aizawa (Boku no Hero/My Hero Academia)

- Pro Hero Eraserhead, teacher to Class 1-A, generally his usual mood falls in a category of “meh” and “too tired for this shit”

Ajali (OC, The Lion King*)

- Teenage gorilla, left home and now wanders, is generally kind but can be a little reckless from time to time, even on accident

Ajax (OC, Ascension**)

- Captain of the starship Ascension, ladies’ man, also referred to by some as “king of the crash landings”

Akabane (GetBackers)

- aka Doctor Jackal, former combat physician, has knives concealed in his body, currently works as a Transporter

Akei Okami (OC, Wolf Song)

- 23-year-old singer/songwriter/guitarist with the ears and tail of a red wolf and a lot of behaviors to match, he’s working on trying to make it big, and only recently got away from an abusive, blackmailing, and rather possessive manager, but not without some of that blackmail getting spread to the public, somewhat tanking his career so far

Akira (Persona 5)

- aka Joker, generally mild-mannered and quiet, even perhaps seen as a little serious, he is genuinely friendly, Phantom Thieves’ leader (no i will not call him Ren Amamiya, i don’t like it!)

Akiru (OC, The Cat Returns)

- a teenage black LaPerm cat, who may look innocent at first (and he does have a good heart and good intentions) but he is actually the leader of a band of feline thieves who are trying to fix what’s wrong with the cat kingdom society

Akisu (OC, Harry Potter)

- secretly a baku disguised in human form, he just wants to learn magic like the human/wizard children do, is generally shy and fairly awkward, but he is genuinely kind and gentle, and very affectionate if he’s comfortable enough with someone.

Aladi (OC, Blossoms of the Heart)

- boisterous ball of energy and enthusiasm, cute and charming human suitor to the princess, he worked as a tailor in the kingdom of Ha’adan, but had a need for adventure and so he traveled across the sea, and when he heard the call for suitors, he joined in the fun

Alekai (OC, Blossoms of the Heart)

- one of a pair of half-demon brothers from the kingdom of Tesak, usually more soft-spoken, is currently another suitor to the princess, and he usually has to act as damage control for his brother a lot of the time

Alexios (Assassin’s Creed)

- Greek assassin, snarky and pretty bold, he’s not afraid to stir up some trouble, and flirt with just about anybody

Aljunn (OC, Poison Daggers)

- Shadowman, basically a Nordic boogeyman, he’s charismatic and cunning, so far unclear motives, but he does have some rather impressive hidden abilities, so he is one to be watched out for

Altair (Assassin’s Creed)

- Syrian assassin, can occasionally be somewhat cocky and sarcastic, hates being called ‘novice’

Amani (OC, The Lion King)

- lioness cub, enthusiastic and curious, often likes to run off and explore new places

Amon (OC, Solomon’s Key)

- a Marquis of Hell, ranked as seventh in their hierarchy, he is crass and relatively aggressive, a bit of a ‘lone wolf’ type, and that’s not said ironically, given that he is actually fairly wolf-like, and often takes the form of a wolf. His true demonic form as well, is a large werewolf-like beast standing upright as a man and with the tail of a snake

Anchor (Finding Nemo)

- a well-meaning, if maybe a little confused, hammerhead shark who’s pals with Bruce and Chum, and is a member of the FEA. “Fish are friends, not food!”

Angus (OC, untitled novel)

- a Highland bull Minotaur, he’s generally rather gentle and kind, though he does have a bit of a temper from time to time, he runs a shop in a small town and sells hardware and general goods as needed

Anik (OC, Portal Skip)

- a teenage boy of about seventeen, he along with his best friend and partner Galen, are time-jumpers as part of a task force in the future, and it’s their job to either retrieve necessary persons, gather important knowledge, or prevent certain historical disasters before they happen. He tends to be the quieter of the pair, and is more of a logical thinker, and a realist.

Anubis (OC/mythological figure, untitled novel)

- Egyptian god of death and mummification, generally rather even-tempered and understanding, but he can come across a little grumpy sometimes

Apollo (Olympos)

- overly dramatic and very bratty/needy Greek god of the sun, he likes to pester Ganymede for attention, but can also get easily offended and is very spiteful

Aramis (OC, untitled novel)

- somewhat smug and aloof male dragon, but underneath his initial impressions, he is generally a good-hearted and well-meaning individual. He.. does have a fondness for shiny things, though, so guard your jewelry and your money, and all other shiny valuables.

Archer (OC, Blossoms of the Heart)

- monkey demon, suitor to the princess, he can be a bit of an idiot from time to time, as he tends to think more with his stomach than his head, but he’s also very affectionate, if a bit overly energetic

Archibald (Tales of Arcadia)

- aka Archie, a well-spoken and somewhat sarcastic dragon in feline form, and the familiar to Douxie

Archimedes (OC, Secret of NIMH)

- a very articulate albeit sarcastic companion to a badger named Dodger, Archimedes is a bat, and he’s just as misplaced in the world as Dodger is.

Argent (OC, The Edovin Trilogy)

- half-breed Svalden/Mogani hybrid, Argent is the brave and diligent guardian to Yudar the oracle, as well as being a member of the Edovin Resistance. He takes Yudar’s safety seriously, and is also probably the only one who understands him best aside from Nils.

Argo (OC, untitled novel)

- (coming soon)

Argus (OC, untitled novel)

- (coming soon)

Arius (OC, The Edovin Trilogy)

- asshole, but with a heart of gold, Arius is a criminal and exile, sent to live in the Outlands around the country of Delanar, where the city of Edovin resides, for the crimes of arson and attempted murder

Arno (Assassin’s Creed)

- French assassin, present during the events of the French Revolution, Arno is rather sarcastic at times, but he is actually a bit more diligent than some of his predecessors, and he takes things personally

Arqaedyn (OC, Overreach)

Arrow (OC, Neverland Fairies)

- A scout, and Gadget’s chosen best friend, Arrow is the more polite of the pair of them. He is clever and quick-witted, and he is certainly much more reserved than his tinker friend. But he is nothing short of charming, and he is certainly a gentleman. But he actually depends on Gadget, for most of what he does. Arrow often makes special requests for Gadget to work on. Ideas and inventions to help all scouts do their best work.

- Ultimately, Arrow is far more of a tactician than a combatant, but just because he’s more brains than brawn, doesn’t mean he can’t pack a punch and rumble with the best of them. And actually, he’s the one to watch in any fight, because he’s such a clever tactician. And perhaps he’s a bit of a show off, especially for the ladies, but he is still good-hearted and kind.

Arsene (Code:Realize)

Arsene Lupin (OC, The Mysterious Cases of Arsene Lupin)

Arten (OC, Blossoms of the Heart)

Artimaes (OC, The Horseman Series)

Artix (AdventureQuest/DragonFable)

Aspen (OC, Neverland Fairies)

- Well, it would be a lie to say that Aspen isn’t a bit of an odd one. An almost obsessive addiction to sweets, the tendency to appear in places no one would ever expect he’d be, and.. he carries around an odd little doll. For a winter animal talent, he’s definitely on the strange side, and everyone on the winter side knows it. And as much as they might want to question it, most choose not to. But that’s just it, there’s always more to the story than just that.

- The truth of it is, Aspen is nearly blind. He still sees shapes and movement, and maybe a bit of color, but not much else besides that. His doll is his comfort, as are sweets, and he’s gotten amazing at sneaking up on people, because he does everything he can to mask his steps so he can be sure to hear better, just in case of any danger.

- It’s actually because of his near-blindness that he also keeps companionship with a snowy owl he calls Lune. Lune keeps a lookout for him, making sure everything is safe for his vision-impaired little friend.

Asra (The Arcana)

Asra (OC, Black Souls Rising)

Asra Fisher (OC, Harry Potter)

- Ravenclaw

Asta (OC, Ascension)

Astaroth (OC, Solomon’s Key)

- the 29th Duke of Hell, he is a demonic entity alongside Amon and seventy-one others that hold such titles, but unlike Amon, Astaroth is exceedingly friendly and even flirtatious. He tends to favor more serpentine forms, or his ‘adorable and sexy’ human form.His true demonic form, is in fact a large, bronze-scaled naga with a line of spikes along his back. But he, among all other seventy-two Goetic demons, is very unique in one particular ability.

- Astaroth is a seer. He can see all things past, present, and future, and he answers all questions asked of him. Of course, his seer abilities are not always within his control, and he cannot always choose the when of what he sees.

Aurelio (OC, Seas of Stormfall)

- man-eating sea demon

Auren (OC, Neverland Fairies)

- A light talent with somewhat of a gruff attitude, Auren doesn’t always come across as entirely friendly, but the truth is, he’s a very relaxed and easy-going guy. He sees all his fellow talent members as family, as one big clan, and he looks out for all of them.

- Even if there’s not really any leader among light fairies, Auren still takes it upon himself to be someone all his fellow talent members can come to when they need advice or comfort, or even just a little bit of proper direction.

- Honestly, his attitude often makes him seem like he’s the leader of some sort of gang of thugs, or something like that, but honestly it’s just the way he is. He’s gruff, and a bit of a tough guy, but he’s honestly just looking out for his fellow talent members like a big brother looking out for his siblings.

Avel (OC, The Faded Legends saga)

Averin (OC, Firestone)

Avis (OC, Blossoms of the Heart)

Avos (OC, Shinzo/Mushrambo)

Aym (OC, Solomon’s Key)

Azir (OC, Shinzo/Mushrambo)

Azkhal (OC, untitled novel)

Azra-Khal (OC, untitled novel)

Azriel (OC, Crossover)

- the Angel of Death

Bael (OC, Solomon’s Key)

- the first King among the seventy-two Goetic demons, Bael is the leader of them all, and second only to Lucifer himself.

Bagheera (The Jungle Book)

Bakugou (Boku no Hero/My Hero Academia)

Balthasar (OC, Down the Rabbit Hole)

Balthazar (OC, Blossoms of the Heart)

Balto (Balto)

Ban (GetBackers)

Banjo (Banjo-Kazooie)

Banzai (The Lion King)

Barik (Nora: The Last Chronicle of Devildom)

Baron (The Cat Returns)

Barrel (OC, Pokemon)

- Golem

Bartleby (OC, Down the Rabbit Hole)

Bartleby (OC, Blossoms of the Heart)

Batty (FernGully)

Beast (Beauty and the Beast)

Bear (OC, Neverland Fairies)

- Gruff, pushy, and honestly a pretty solid wall of sparrowman, Bear is just as his name sounds like he’d be. He’s a little intimidating to talk to, or even to be around in general, but honestly, he’s very unlikely to hurt anyone. Well, unless someone were to seriously push their luck and actually get on his nerves.

- He’s relaxed and fairly gentle, unless he’s pushed to his limits. He is quite literally the embodiment of the phrase ‘don’t poke sleeping bears’. He’s not very social, unlike some other animal talents, and tends to spend more of his time around animals than other fairies.

- For reasons yet unclear to other fairies around them, Bear seems to have a rather aggressive and spiteful rivalry with Viper. While the two never seem to really get physical with each other, there’s never a shortage of sarcasm and insults tossed between them any time they’re in the same vicinity. Especially if they’re forced to cooperate with each other for any reason. Honestly, it’s a wonder how the two of them even started interacting in the first place, but then comes the realization that they are only around each other because they are both mutual friends of Spark.

Beetle (Kubo and the Two Strings)

Beta (OC, Viral Infection)

Black Jack (OC, The Untamed Wilds series)

Black Joker (Kuni no Alice)

Blaine (OC, Blossoms of the Heart)

Blitz (OC, How to Train Your Dragon)

- Skrill

Blood (Kuni no Alice)

- head of the Hatter Mafia

Boomer (OC, Neverland Fairies)

Boris (Kuni no Alice)

- the Cheshire Cat that lives at the Amusement Park

Bow (She-Ra and the Princesses of Power)

Bowser (Mario)

Branch (Trolls)

Break (Pandora Hearts)

Briggs (OC, Finding Nemo/Finding Dory)

- a grumpy and cynical adult tiger shark who’s been through more in his life than he’d really like to talk about, and through a rather annoying and frustrating series of events, he’s now apparently responsible for a very energetic and friendly blacktip reef shark who he believes he could do without, or so he says

Buer (OC, Solomon’s Key)

- the tenth Lord of Hell, and one of the Goetic demons in Bael’s company, he is generally rather mild-mannered and sociable, and is actually capable of healing injuries. Mostly, he tends to mind his own business unless he is required to be present, preferring to keep out of the way. Ultimately though, he is actually rather shy and hates large gatherings.

- Buer tends to favor more equine forms, either that of a large white stallion, or a form much akin to Sagittarius the centaur archer, the latter actually being his true demonic form, and one in which he chooses to wear a black blindfold across his eyes. He can take a human form as well, but does not do so often.

Bunnymund (Rise of the Guardians)

Caine (OC, Blossoms of the Heart)

Cale (OC, Blossoms of the Heart)

Callum (The Dragon Prince)

Campbell (Camp Camp)

Canterbury (Black Butler)

Capper (My Little Pony: Friendship is Magic)

Cassius (OC, Brightwire)

- A former soldier of the Avran military, particularly as a General of the Airstrike Militia, Cassius swore never to involve himself in another war as long as he lives. The bloodshed he witnessed while involved in the battles of a decade past still haunt him, and as such is the case, he very rarely spends time among living company, and he does his best to avoid forming any attachments to any person for long.

- Over the last decade, Cassius has taken on the occupation of being a merchant of alchemical goods, among other various cargo, and he has quickly become well-known as a merchant of reputable standards and quality service. He has become acquainted (unfortunately in his opinion) with a young man named Finnian, who calls himself ‘an affordable alternative to mainstream service’, which Cassius insists is just a charismatic way to say he’s a back alley thief.

- But aside from Finnian, the elven captain has also managed to reacquaint himself with an old friend of his, a mage named Marquis. But now, Marquis is traveling with a young lady named Wren, and thanks to Finnian’s 'helpful’ advice, Wren has sought out the elven airship captain to aid her on an apparently important quest, and Cassius found himself unfortunately manipulated into agreeing to getting involved by Finnian. So, now he’s become the primary mode of transportation for Wren and her questing party, much to his chagrin

Caster (OC, Neverland Fairies)

- He used to be a dust keeper around Pixie Hollow, but he has since gone rogue, and did so even before Tinker Bell was born. He stole pixie dust, especially a bit of blue dust, and he was experimenting with it long before Zarina tried. Like her, he too joined up with pirates for a while, but he left them of his own accord when they were no longer of use to him.

- He’s shorter than most sparrowmen, at a height of about 4.8 inches. But he’s created something even Zarina never figured out. Anti-dust. While normal pixie dust helps others to fly and objects to float about, this black dust with its crimson glow does the opposite. It weighs everything down, and could even create a crushing weight if enough of it is used.

- So beware of the rogue dust keeper. He isn’t your friend in the least. He is the one they all warn the newbies about, and the reason why the blue dust is so vigilantly guarded. But.. maybe Oleander knows something about why.

Catra (She-Ra and the Princesses of Power)

Chardonnay (Sweet Beginnings***)

Charlie (Monsterkind)

Cherry (Sweet Beginnings)

Chester (Tales of Phantasia)

Chouza (Itsuwaribito)

Chris Blackford (OC, Crossover)

Chrono (Chrono Crusade)

Chuuya (Bungou Stray Dogs)

Colte (OC, Viral Infection)

Conn (OC, The Arcanum Chronicles)

Connor (Assassin’s Creed)

Connwaer (named by me, with permission from crimson-chains)

Cornelius (Thumbelina)

Creek (Trolls)

Cress (Tales of Phantasia)

Crosjando (OC, Blossoms of the Heart)

Crow (OC, Neverland Fairies)

- For an animal talent, Crow comes across as very intimidating, even downright terrifying to some. But underneath that gruff exterior, he’s actually genuinely kind and caring, and is sort of like a big brother figure to some others, particularly to Gale and maybe a couple others. Still, he’s very rough with his affection usually, and many have said that maybe Crow should have been a scout instead of an animal talent.

- It doesn’t help either that Crow does have a tendency to carry around a rather large hawk talon, as a method of defense. Where he even got the talon, no one is quite sure. All that is known is that, well, he has it and he’s not afraid to use it.

Crowley (Oz+)

Cryptic (OC, My Little Pony: Friendship is Magic)

Cysero (AdventureQuest/DragonFable)

Dagan (OC, untitled novel)

Daisuke (D.N.Angel)

Daniel (Camp Camp)

I hate him

Dantalion (OC, Blossoms of the Heart)

Dante (Devil May Cry)

Dante Ignatius (OC, untitled novel)

Dante Kronos (OC, Down the Rabbit Hole)

Dante Rhodes (OC, Harry Potter)

Darien (OC, Misplaced Magic)

Dark (D.N.Angel)

Dark Law (OC, My Little Pony: Friendship is Magic)

Dark Pit (Kid Icarus)

Darrow (OC, untitled novel)

Dastan (OC, Silence Lost)

Data (OC, Viral Infection)

David (Camp Camp)

- a ray of sunshine,”Ooooooooh~! There’s a place I know that’s tucked away..”

Dazai (Bungou Stray Dogs)

Deaikil (OC, Ascension)

- a bad attitude given a full arsenal, he is an alien species called a Ganavir, and is actually a hornless subspecies of them. But that makes him an outcast among his people, and it makes him angrier and more feral than they are. And Ganavir are already a war-hungry, violent bunch.

Decim (Death Parade)

Delta (OC, Viral Infection)

Devil (Sweet Beginnings)

Devon (OC, Blossoms of the Heart)

Devon (OC, The Camp Mythos series)

Dezimir (OC, Blossoms of the Heart)

Dhambi (OC, The Lion King)

Digit (OC, Viral Infection)

Docks (OC, untitled novel)

Dodger (OC, Down the Rabbit Hole)

- the Dodo, and a historian

Dodger (OC, Secret of NIMH)

Don Karnage (Talespin)

Double Trouble (She-Ra and the Princesses of Power)

- what is gender?

Dr. Facilier (The Princess and the Frog)

Drake (OC, Black Souls Rising)

Drossel (Black Butler)

Duststorm (OC, My Little Pony: Friendship is Magic)

E (AdventureQuest/DragonFable)

Ed (The Lion King)

Eivan (OC, Blossoms of the Heart)

Elias (OC, The Pariah Chronicles)

Elias (OC, Blossoms of the Heart)

Elijah (OC, The Edovin Trilogy)

Elliot (Kuni no Alice)

Elliott (OC, Blossoms of the Heart)

Elliot Redmond (OC, Seas of Stormfall)

Emmett (OC, Down the Rabbit Hole)

Envy (Full Metal Alchemist)

Envy (OC, The Intentions series)

Eravi (OC, untitled novel)

Etienne (OC, untitled novel)

Euro (OC, Neverland Fairies)

- A dust keeper with a penchant for mischief. Not really the best combination, especially considering he’s friends with Jinx the lock-breaking tinker. He’s often seeking out Jinx, and if he isn’t looking for his friend or doing his job, he actually also has a fondness for placing bets. He has a great mind for games and probabilities, as well as managing dust.

- But it’s the fact he works with dust that can be a little bit of a problem. Euro has his own hidden stash of pixie dust, and he occasionally adds to it. But.. why does he even have it? Well, that’s because he uses it for betting. And sure, it’s great for emergencies too, but a little harmless gambling isn’t so bad, right?

Ezio (Assassin’s Creed)

Ezra (OC, Star Wars)

Fai (Tsubasa Reservoir Chronicles)

Falkor (The Neverending Story)

Fallon (Sirius the Jaeger)

Fangtooth (OC, My Little Pony: Friendship is Magic)

Farren (Lego Elves)

Felix (Satan and Me)

Felix Agreste (Miraculous Ladybug)

Fengari (OC, RWBY)

Fenris (Dragon Age)

Ferio (Magic Knight Rayearth)

Ferran (OC, GrimmalWar)

Ferrin (OC, Blossoms of the Heart)

Ferris (OC, Blossoms of the Heart)

Festus (OC, Shinzo/Mushrambo)

Finn (OC, Brightwire)

Fisk (OC, Neverland Fairies)

Fox (RWBY)

Gadget (OC, Neverland Fairies)

- Everyone’s heard of a social butterfly. Well, guess what! They come in the tinker variety too! Gadget is the perfect example of a social butterfly, jumping from fairy to fairy. And he is even a bit flirtatious too, claiming he’s ever so charming, even if the truth is that his friend Arrow is really the charming one. But there is one problem with Gadget’s exceedingly social nature.

- He is a very physical being, and he loves to just be all on top of those he considers friends. From an arm around the shoulder, to fully draping himself and all his weight on them, Gadget can be a bit of a nuisance. Still, he’s got a good heart and a clever mind, and he’s absolutely thrilled that tinkers now get to play with lost things! Still, there is a secret about him that only Arrow and Fisk know, and it’s not a happy thing that Gadget likes to talk about.

- In fact, he’s deeply ashamed of it, and actively tries to hide it, especially since.. Well, he’d be in big trouble if a certain scout fairy were to ever find out. But Gadget is a vampire. And so far, he’s the only one he knows of in Pixie Hollow. Or at all, really. He can usually keep himself in check by indulging in the occasional nectar mixture that Fisk makes for him, but there are nights when his need to feed becomes too much to hold back.

- Usually, he has enough sense of mind to seek out either Arrow or Fisk, but if he puts it off too long, and ignores the hunger too much, he can turn dangerous and may attack innocent fairies who otherwise know nothing about his vampirism. In fact, he has actually attacked a couple of fairies in the past, and was nearly caught by Venn. Now, he’s extra careful about his late night activities, because if Venn finds out he’s the vampire, it would mean the end for Gadget.

Gage (OC, The Edovin Trilogy)

Gajeel (Fairy Tail)

Gale (OC, Neverland Fairies)

- A fast flyer with a kind heart and huge determination, he may be a little guy, but he does what he has to to get his job done, and make sure his friends are okay. Not to mention that while he may be the youngest of his group of friends, he won’t let that stop him either. But while he generally seems to look on the bright side, Gale’s early experiences in Pixie Hollow weren’t quite as pleasant as some might have hoped they would be.

Galvyn (OC, untitled novel)

Ganta (Deadman Wonderland)

Gareki (Karneval)

Garrett (Quest for Camelot)

Garrick (OC, Blossoms of the Heart)

Garry (Ib)

Gavin (OC, Seventh Shard)

Gawl (Generator Gawl)

Geilver (OC, Blossoms of the Heart)

Gideon (Seven Princes of the Thousand-Year Labyrinth)

Gil (Pandora Hearts)

Gilvein (OC, Shinzo/Mushrambo)

Gin (OC, My Hero/Boku no Hero Academia)

Ginji (GetBackers)

Ginko (Mushishi)

Ginti (Death Parade)

Gintoki (Gintama)

Gintoki (OC, Blossoms of the Heart)

Giza (OC, The Lion King)

Gizmo (OC, Neverland Fairies)

- Ever met a moody tinker? Well, here’s one. Gizmo isn’t the type to make friends, and instead would rather keep to himself, building complex parts to the mechanisms that are used all around Pixie Hollow. Unfortunately for him, Kestrel doesn’t take no for an answer. As much as Gizmo may insist that they aren’t friends, he just can’t get rid of him.

- Gizmo has been called rude, grumpy, bad-tempered or even aggressive. But it’s just mostly that he’s a loner and likes to be left alone. But.. does he really? Underneath his moodiness, there is a softer side. He isn’t great with affection, despite secretly wanting it, and that’s due to the fact that shortly after his birth, he was somewhat looked over. That, and he got lost deep in the woods for a few months, having to survive entirely on his own for what seemed like an eternity.

- He was eventually found by Kestrel, but by then, he’d become reclusive and harsh, actively refusing the company of others.By the time Kestrel had found him though, he was hungry and weak, cold and wet, and utterly exhausted, even a little battered and bruised. It’s that that is the reason Kestrel keeps checking up on him, and Gizmo knows that. But he spent too long alone, so soon after he’d been born that it was most of what made up his early experiences, and made him shy away from others rather than seeking them out.

Gizmo (OC, Beyond the Rainbow)

Glitch (OC, Viral Infection)

Gojyo (Saiyuki)

Goku (Saiyuki)

Gourry (The Slayers)

Gowland (Kuni no Alice)

- the “Duchess” and current owner of the Amusement Park

Graham (OC, Assassin’s Creed, Harry Potter, Outlander)

Gray (Fairy Tail)

Gray Ringmarc (Kuni no Alice)

- the Lizard

Griffin (Quest for Camelot)

Grillby (Undertale)

Guy (The Croods)

Guy Cecil (Tales of the Abyss)

Guy Diamond (Trolls)

Hades (Olympos)

Hagane (OC, untitled novel)

Hak (Akatsuki no Yona/Yona of the Dawn)

Hans (OC, Shinzo/Mushrambo)

Hapsun (OC, Magi: The Labyrinth of Magic)

Harper (OC, The Moonlight Ring)

Harrison (OC, Blossoms of the Heart)

Harrow (OC, Neverland Fairies)

Haru (OC, Blossoms of the Heart)

Haruka (Tactics)

Hatari (OC, The Lion King)

Hatch (OC, untitled novel)

Hatchet (OC, Neverland Fairies)

- Hatchet, or Hatch as most call him, is a difficult individual to actually like. Even as a scout, he’s somewhat of a bully, and though he usually means it in a friendly sort of way, he’s very gruff and forceful in everything he does, so it’s no surprise his jokes are actually pretty harsh and insensitive. He actually has referred to Lock as ‘cyclops’ more than once. No one is really safe from his rough humor.

- But the truth is that he’s looking for someone that disappeared shortly before Tinker Bell had even arrived in Pixie Hollow. He knows that they’re out there somewhere, but he can’t figure out where. As a result, he actually doesn’t trust anyone, even if he claims to, and his harsh jokes are his way of keeping others at a distance. He doesn’t want to be attached only for someone else to disappear on him.

Hatsuharu (Fruits Basket)

Hawke (OC, Beyond the Rainbow)

Hector “Striker” Marques (OC, untitled novel)

Hibiki (OC, Boku no Hero/My Hero Academia)

Hikae (Itsuwaribito)

Hiraishi (OC, untitled novel)

Hiro (Big Hero 6)

Hiruko (Itsuwaribito)

Hiruko (Nightmare Inspector)

Hisago (Itsuwaribito)

Hisirdoux (Tales of Arcadia)

Hook (Okashi na Shima no Peter Pan/Sweet Neverland)

Hunk (Voltron Legendary Defender)

Ibal (OC, untitled novel)

- deity of destruction and decay

Ifari (OC, Blossoms of the Heart)

Ikuto (Shugo Chara)

Impey (Code:Realize)

Indivar (OC, Seventh Shard)

- a very moody djinn

Inuyasha (Inuyasha)

Isaac (OC, The Stormfront Chronicles)

Isaac Vivre (OC, Camp Camp)

Isaiah (OC, Evermore)

Isandro (OC, Black Souls Rising)

Izaya (Durarara!!)

Izmael (OC, Dead Man’s Day)

Izo (OC, untitled novel)

Izrael (OC, Cantor Descending)

Jabber Quill (OC, My Little Pony: Friendship is Magic)

Jace (OC, Down the Rabbit Hole)

Jacquimo (Thumbelina)

Jack (Rise of the Guardians)

Jade Moonfeather (OC, My Little Pony: Friendship is Magic)

Jael (OC, untitled novel)

James (Pokemon)

Jasper (OC, The Moonlight Ring)

Jasper Taigan (OC, The Sand Skulls Series)

Jax (OC, Misplaced Magic)

Jay (OC, Camp Camp)

Jellal (Fairy Tail)

Jericho (Kuni no Alice)

- the Dodo

Jester Ring (OC, My Little Pony: Friendship is Magic)

Jinx (OC, Neverland Fairies)

- Jinx is a tinker. He knows his way around all sorts of tools and devices, and he can figure out almost any puzzle thrown his way. But it isn’t just that. While tinkers usually are of a mind to build and create, Jinx is much more likely to take things apart, even if it’s something the other tinkers just finished working on.

- Queen Clarion has acknowledged it as boundless curiosity, but he is advised to keep his curious nature in check. And he does keep it in check. Most of the time. He does have a tendency to get into trouble along with Euro, Ridge, and Nero quite often. Especially when Jinx has taken apart or picked a locking mechanism that is supposed to keep everyone out of important places. As such is the case, most scouts and those in charge of keeping things in order.. aren’t always fond of him. Or the other three.

Johnny (Sing)

Joker (OC, Down the Rabbit Hole)

Judal (Magi: The Labyrinth of Magic)

Julius (Kuni no Alice)

- the Clockmaker

Jumba (Lilo and Stitch)

Justin (OC, Camp Camp)

Jyugo (Nanbaka)

Kade (OC, Plague)

Kaelan (OC, The Wild Warriors series)

Kagura (Demon Love Spell)

Kai (OC, untitled novel)

Kal (OC, untitled novel)

Kale (OC, Animorphs)

- an Andalite warrior

Kaminari (Boku no Hero/My Hero Academia)

Kanda (D. Gray-Man)

Karimu (OC, The Lion King)

Karkat (Homestuck)

Karma (Assassination Classroom)

Kasi (OC, The Lion King)

Kaspar (OC, The Tangled Series)

Katsuo (OC, Persona 4)

Kaushal (OC, Desert Sands)

Kavit (OC, Shinzo/Mushrambo)

Kazuki Fuuchouin (GetBackers)

Kazuki Muto (Busou Renkin)

Keidynn (OC, Shinzo/Mushrambo)

Keith (Voltron Legendary Defender)

Kestrel (OC, Neverland Fairies)

- This is the sweetest, most gentle sparrowman anyone could ever meet. Kestrel is genuinely kindhearted and just full of love and affection to give to others. Even those who aren’t so friendly to him. Like a young tinker by the name of Gizmo, for example. Kestrel is an animal talent, but often goes out of his way to check up on his young friend. Making sure he’s eating right and all that. He knows he doesn’t have to, but he likes to do it anyway. Kestrel does have a secret, though.

- After an encounter with a strange animal no one had ever seen before, during which Kestrel was wounded by the creature’s claws, Kestrel has to make regular visits to the healing fairies, or else the toxin still in his body even now will force him to change, and lose his sense of self for a while. Beware if Kestrel’s blond hair turns silver, because he will not know friend from foe, and the normally gentle sparrowman has turned aggressive and dangerous.

Keturi (OC, Shinzo/Mushrambo)

Khazroq (OC, untitled novel)

Khireus (OC, untitled novel)

- deity of justice

Ki (OC, untitled novel)

Kifo (OC, The Lion King)

Kin (OC, Blossoms of the Heart)

Kirishima (Boku no Hero/My Hero Academia)

Kizami (Corpse Party)

who wants to talk about MURDER~~? :D

Klarth (Tales of Phantasia)

Klein (OC, Down the Rabbit Hole)

Korand (OC, The Edovin Trilogy)

Koro-sensei (Assassination Classroom)

Krampus (OC, untitled novel)

Kratos (Tales of Symphonia)

Krin (OC, Ascension)

- precious innocent child, and amazing prodigy in mechanics, he is of an alien species called Ch’taar, which appear much like caterpillar-taurs in their youth, like Krin, and their full-fledged adults resemble something akin to mantis-taurs with butterfly wings. Krin is a very shy and soft-spoken young boy, and is only four of his planet’s years in age, but that is approximately the equivalent of a thirteen-year-old in Earth years.

Kuhani (OC, The Lion King)

Kuiba (OC, The Lion King)

Kuro (Servamp)

Kurogane (Tsubasa Reservoir Chronicles)

Kutal (Shinzo/Mushrambo)

Kweli (OC, The Lion King)

Kyle (OC, Desert Sands)

Kyo (Fruits Basket)

Lark (OC, Neverland Fairies)

- Lark is an animal talent, and still fairly new to life in Pixie Hollow, and in general! He’s energetic, somewhat reckless, not always the brightest firefly in the field, but he means well and generally is a sweetheart, but.. he does also occasionally have a little bit of a temper, and if he notices it, he will call others out on their bullshit.

- He is actually unable to fly, because on his first day after being born, he got a little too excited about his talent, and proceeded to run right off the edge and tear his left wing. So now if he needs to get somewhere fast, he rides a black-footed ferret he named Willowby.

Lavi (D. Gray-Man)

Law/Lawrence (OC, Plague)

Lawrence (Seven Princes of the Thousand-Year Labyrinth)

Lawson (OC, The Untamed Wilds series)

- a very rough-and-tumble mustang centaur, and a cowboy ruffian in the American Wild West, Lawson is actually pretty polite when he needs to be, but he’s got a stubbornness to put a mule to shame, and an attitude like an ornery old goat coupled with a strong dislike for authority. He’s seen as an outlaw and a no-good son-of-a-bitch by most townfolk, but that’s because they tend to see centaurs as much the same as their non-verbal equine kin, and treat them as slaves. And that’s something Lawson is fighting to change.

Leif (OC, Neverland Fairies)

Leon (OC, Beyond the Rainbow)

- the Cowardly Lion

Leonardo (Oz+)

- the Cowardly Lion, given a human form, and he is a beautiful, handsome.. himbo.

Leraje (OC, Solomon’s Key)

Levi (OC, untitled novel)

Li (CardCaptors)

Lily (Servamp)

Lincoln (OC, untitled novel)

Link (Breath of the Wild)

Lion-O (Thundercats 2011)

Lionheart (OC, My Little Pony: Friendship is Magic)

Locien Kei (OC, untitled novel)

Lock (OC, Pokemon)

- Arbok

Lock (OC, Neverland Fairies)

- While he may not be the friendliest of sparrowmen, Lock is determined and loyal, and very attentive to his work as a tinker. He often tends to be the one handling tools for use by the scouts, whatever those things may be, and he is diligent and hard-working. But he comes across very rough and cold to just about everyone in Pixie Hollow. He isn’t interested in making friends, it seems, and he keeps to himself. But.. there is a reason behind his behavior.

- And her name was Luna. They were born fairly close together, though not from the same laugh. She was a scout while he is a tinker, and she made a promise to him. A promise, that she would always make sure he was safe, that she would protect him first and foremost. And it bonded them together, they were nearly inseparable as a pair, even to the point that he fell deeply in love with her, and she loved him in return.

- She was headstrong and brave, always pushing her way through and never letting him be alone. She was his guiding light. Until one day, she asked him to come with her deep into the forest. She had found something, she told him. She had found something he needed to see. And he listened, following her further and further into the woods, until she had led him to what seemed to be a large, black stone in the middle of a dark, and eerie part of the forest.

- She pulled him to it, showing him her discovery, excited to have him to share it with. It could be some kind of new ore that tinkers could use, she thought, something special to help make their tools stronger! But then.. it moved. It revealed itself as no stone or ore, but a deep black avian beast! Immediately Luna shielded Lock behind her, guarding him from the threat she had brought him straight to, and then- It attacked.

- Sharp talons and a wild serpentine tail slashing and swinging about, and Lock tried to flee, tried to get away to get the rest of the scouts to help- but the monster followed him, catching him within its talons and snapping its beak. One sharp talon found purchase, its tip digging deep into his left eye.. and he screamed as his body was being crushed, his eye reduced to nothing but a bloody hole in his face, and-

- There was Luna. She kept her promise, defending him and rescuing him from the wretched creature she’d awoken, and.. she gave her life for his.. Somehow the creature was sealed away and trapped where it couldn’t bring any more harm, but Luna’s life was lost in the process.. Leaving Lock entirely alone, with no one to love, and no one to make him feel safe..

Loki (Kamigami no Asobi)

- Norse god of mischief

Lokus (OC, The White Game)

Lotus (OC, Neverland Fairies)

- Calm, quiet, usually minds his own business except to keep others from getting hurt, Lotus is the sort of water talent that can often be found meditating on a lily pad in the middle of a pond. He’s curious, but not enough to seek out trouble like some others might. He’s more likely to be the one who gets dragged along on adventures by others who are more energetic and outgoing.

- Like Nova the highly exuberant light fairy, for example. Lotus actually came very close to being a scout instead of a water talent, and he has a very high instinct to protect. But at the last moment, it failed and he was instead a water talent. Not that he minds. He knows all the action the scouts get involved in, and he’s content to just take life one step at a time, even if he does always have an eye out in case of trouble.

Lowell (OC, Blossoms of the Heart)

Lucas DuSauvage (OC, Crossover)

Lucian (OC, Catching Smoke)

Lucian (OC, untitled novel)

Lucien (OC, Shinzo/Mushrambo)

Luka (Miraculous)

Luke Ainsworth (Sacred Blacksmith)

Luke fon Fabre (Tales of the Abyss)

Lune (The Cat Returns)

Lux (OC, Neverland Fairies)

- Here comes trouble. A common phrase uttered throughout Pixie Hollow when Lux is around. Especially when he’s got a particular twinkle in his eye. A light talent with a bad habit of getting into mischief, Lux loves to play pranks. And, well, not everyone enjoys his tricks as much as he does. He gets a good laugh, but oftentimes, he is the only one laughing.

- Especially when his pranks have accidentally caused someone to get hurt. He usually doesn’t mean for things to go that far, and when they do, he’s often pretty quick to apologize for his mistake. Well.. when he’s stopped laughing, that is. And.. only if he wasn’t intentionally hurting them, since he can be a bit vindictive.

- Aside from his prankster nature, Lux is also a fairly jealous individual. There are few who he actually really considers close friends, and he loves it when they dump their attention on him. But.. when they give attention to someone else, instead of spending time with him, Lux can get a bit jealous and possessive.

- He can even be somewhat rude and pushy, forcing his way to the forefront of his friends’ attention. He’s much like a bratty child at times, pouting and throwing mild tantrums from time to time, even bullying those who he thinks are stealing his friends’ attention.

- When he likes someone, though, he is very affectionate and friendly, actively seeking out companionship and bringing them things he thinks they will like. He’s happy and cheerful, and generally fun to be around when he actually considers someone a friend. But.. watch out if he doesn’t like you, because you are very likely to be the main target of his worst pranks. Usually though, he is thankfully kept in check by Umbra and Torren. Just be careful not to steal their attention too much. Lux certainly won’t thank you for it, and he’ll have no one keeping him in check.

Lyric (OC, Second Moon)

Lyric (OC, Blossoms of the Heart)

Mad King (X-Ray and Vav)

Mael (OC, untitled novel)

Majestic (OC, My Little Pony: Friendship is Magic)

Makoto (Free!)

Marco (Animorphs)

Marius (OC, Blossoms of the Heart)

Marius (OC, Down the Rabbit Hole)

- the JubJub Bird, and with a severe attitude problem

Markos (OC, untitled novel)

Marquis (OC, Brightwire)

Marshall Lee (Adventure Time)

Mason (OC, untitled novel)

Masquerade (OC, My Little Pony: Friendship is Magic)

Mauti (OC, The Lion King)

Maverick (OC, untitled novel)

Max (Camp Camp)

Maximus (Tangled/The Tangled Series)

Mercury (RWBY)

Merlot (Sweet Beginnings)

Merrick (OC, untitled novel)

Messiah (Seven Princes of the Thousand-Year Labyrinth)

Micah (OC, Micah’s Guidebooks series)

Michal (OC, Neverland Fairies)

- A snowflake talent, Michal is intuitive and protective, and for quite some time has been somewhat of an older brother figure to quite a few of the winter fairies, but mostly to Wolf, on the other side of the border. They met once by accident, and were nearly inseparable since, as Wolf often came by when he needed advice, or just someone to talk to.

- And Michal looked out for him and occasionally he has teased him for various little things. As big brothers do. But recently, Michal has disappeared without any warning, the only sign that he was ever there at all being a few broken snowflakes around where he usually works.

Midnight Star (OC, My Little Pony: Friendship is Magic)

Mifune (Soul Eater)

Migs (OC, The Camp Mythos series)

Mikasi (OC, Shinzo/Mushrambo)

Mikhael (OC, Fall of the Titans)

Mikhael (OC, Blossoms of the Heart)

Milori (Neverland Fairies)

Mist Flare (OC, My Little Pony: Friendship is Magic)

Mitsuhide (Akagami no Shirayuki/Snow White with the Red Hair)

Mitsuru (Nanbaka)

Mizani (OC, The Lion King)

Mkali (OC, The Lion King)

Mogar (X-Ray and Vav)

Momotaro (Free!)

Montague (OC, Blossoms of the Heart)

Monty (OC, Pokemon)

Morgan (OC, untitled novel)

Morgana (Persona 5)

Musashi (Nanbaka)

Mushra (Shinzo/Mushrambo)

Muta (The Cat Returns)

Myles (OC, Rewrite)

Mzungu (OC, The Lion King)

N (Pokemon)

Nagi (Deadman Wonderland)

Naro (OC, Shinzo/Mushrambo)

Nathan (OC, Blossoms of the Heart)

Nathaniel (Miraculous)

Natsu (Fairy Tail)

Nephr (OC, The Edovin Trilogy)

Nero (OC, Neverland Fairies)

- A fast-flyer with more than enough energy to go around, Nero is honestly of the friendlier sort than some other fast-flyers may be. He actually enjoys zipping back and forth across Pixie Hollow just to run errands for others. Need some food for a baby animal? He’ll go fetch it! Oh, that basket has to be delivered somewhere? Say no more, Nero is on the job! And what about those seeds? They need to be scattered out in the field? Nero definitely has that handled too!

- But when he’s not doing his job or helping others, he’s hoarding some cool human things he’s found. Or he’s getting into some trouble alongside Jinx, Euro, and Ridge. Honestly, he’s not quite sure what the plan is half the time, but he’s having fun with his friends, and that’s what counts!

Nguvu (OC, The Lion King)

Nico (Nanbaka)

Nico (OC, Black Souls Rising)

Nicolae (OC, untitled novel)

Nicu (OC, untitled novel)

Nightdream (OC, My Little Pony: Friendship is Magic)

Niklaus (OC, Blossoms of the Heart)

Nikolae (OC, D. Gray-Man)

Nils (OC, The Edovin Trilogy)

Nirav (OC, Desert Sands)

Nix (OC, untitled novel)

Njozi (OC, The Lion King)

Nod (Epic)

Noir (OC, The Cat Returns)

Nora (OC, Blossoms of the Heart)

Nora (Nora: The Last Chronicle of Devildom)

Obi (Akagami no Shirayuki/Snow White with the Red Hair)

- a smartass ninja/assassin originally sent to threaten Shirayuki, but who found himself instead given a job by Prince Zen and who has been welcomed as a part of their group

Oga (Beelzebub)

Ojiro (Boku no Hero/My Hero Academia)

Oleander (OC, Neverland Fairies)

- Oleander is more than just a little unusual, especially for a garden talent, but he actually manages it fairly well and manages to go through life just the same as anyone else. Except for one, tiny detail. He seems to have no regard for his own life, and actually may even find enjoyment in near-death experiences. He’s what other fairies and sparrowmen call a ‘tossaway’, as it seems he would gladly toss away his own life, for hardly any reason at all.

- But there is a secret behind all of this. Behind his casual charisma, and his apparent humor in a tossaway lifestyle. He was once best friends with Caster, and actually went rogue alongside him for a while before he grew a conscience and returned to Pixie Hollow to do penance for the things he had done, and what he helped Caster to do. He supplied Caster with the ingredient to make his black ‘anti-dust’. A black Narcissus flower. Now he behaves rather flippantly and acts as if he has no care in the world, but every day that goes by he still regrets what he did, and still misses his best friend.

Oriander (OC, Shinzo/Mushrambo)

- baby

Orion (OC, untitled novel)

Orpheus (OC, Edge of Legend)

Orson (OC, The Stormfront Chronicles)

Orson (OC, Blossoms of the Heart)

Orson Gibbs (OC, Plague)

Oseru (Nora: The Last Chronicle of Devildom)

Ouro (OC, Neverland Fairies)

- Like Styx, Ouro is trouble with a capital ‘T’, but he’s not aggressive the way Styx is. He has a similar sense of humor for sure, but he doesn’t actively put others in danger with his jokes. Instead, he’s far more likely to sneak up on someone and give them a little bit of a jump scare. Among all the residents of Pixie Hollow, Ouro is known to be the stealthiest of the scouts.

- He has even managed to sneak up on some of the best, much to the annoyance of some. Nyx is a good example of a scout that doesn’t always appreciate Ouro’s sense of humor, or his chosen uses of his stealth skills. However, if anyone were to ask where Ouro’s deepest loyalties lie, there are only three individuals he actually truly respects enough to have the most unbreakable loyalty toward. Queen Clarion, a healing talent named Clover, and Tyr, a scout leader much like Nyx.

- It’s because of this loyalty to only specific individuals though, that makes Ouro really kind of frustrating to some. But of course, there is a reason for this intense loyalty, as there is for everything.

Oz (Oz+)

Oz Diggs (OC, Beyond the Rainbow)

- the Great Oz, wizard of the Emerald City

Ozpin (RWBY)

Pallum (OC, Blossoms of the Heart)

Pax (Satan and Me)

Peter Pan (Okashi na Shima no Peter Pan/Sweet Neverland)

Peter White (Kuni no Alice)

Phalanx (OC, Shinzo/Mushrambo)

Philip (Sirius the Jaeger)

Pips (FernGully)

Piras (Awaken)

Pit (Kid Icarus)

Pteryn (OC, Blossoms of the Heart)

Qivral (OC, Ascension)

Quinn (OC, untitled novel)

Quirin (The Tangled Series)

Qwan (Qwan)

Rafiki (The Lion King)

Rai (OC, Shinzo/Mushrambo)

Rai (OC, Blossoms of the Heart)

Raimundo (Xiaolin Showdown)

Raito (OC, The Cat Returns)

Raitou (OC, Boku no Hero/My Hero Academia)

Rajan (OC, Desert Sands)

- angry djinn, he may be sexy, but he will kill you if he doesn’t like you, or if you cross the line

Rama Anin (OC, untitled novel)

fashion is immortal, and so is this male model from Ancient Persia.

Rampo (Bungou Stray Dogs)

Ratchet (OC, Neverland Fairies)

- Ratchet is one of those sparrowmen that’s just generally hard to figure out. He’s great at what he does, of course, tinkering and making all sorts of handy things. Much like Tinker Bell, he has a very curious mind. Where others might ask why, he asks ‘why not’. Can it be done? Maybe. Should it be done? Who knows! Will he do it? Absolutely. Leave no stone unturned, and nothing left untinkered. Generally, he seems like an okay guy, even downright friendly and without worry. But.. there’s just one problem.

- Ratchet has a very bad habit. One that, try as anyone might, no one can ever get him to break. And of course, Styx doesn’t help, and in fact encourages it. Usually Ratchet’s bad habit has fairly harmless results, but sometimes it can get out of hand. Especially when he’s been hanging out with Styx. But in general, the fact of the matter is that Ratchet is a liar. White lies mostly, but sometimes he can take a lie too far. Still, thankfully no one has been physically hurt by his lies yet. Even if Yarrow may find them mentally and morally taxing.

Ravenblade (OC, My Little Pony: Friendship is Magic)

Reik (OC, untitled novel)

Reiss (OC, Blossoms of the Heart)

Remus (Harry Potter, Marauders’ Era specifically)

Remy (X-Men, personal adaptation)

Ren (RWBY)

Rhett (OC, Finding Nemo/Finding Dory)

a very enthusiastic, energetic, and boisterously friendly teenage blacktip reef shark, he’s the type who’s more likely to befriend his fish prey rather than eat them, which does cause a few problems for him, but thanks to an amusing series of events, he’s got Briggs looking out for him

Rick O’Connell (The Mummy)

Ridge (OC, Neverland Fairies)

- Definitely not the smartest guy out there. Among garden talents, Ridge is honestly just usually the muscle, rather than the one who takes on more delicate tasks. He’s rough and tumble, and often down in the dirt with the larger bulbs and things like that.

- His pride and joy though is the large and gnarled willow tree just past the edge of the Hollow, that has become the hangout spot for him and his friends. That aside, though, he is actually a fantastic cook.

- Anyone in Pixie Hollow who thinks they know good food, hasn’t tasted anything like Ridge’s blackberry bread rolls, or his orange and lemon sugar pies. Even his roast tomatoes and baked apples are unlike anything else ever made. It’s honestly surprising that he’s a garden talent, and not simply a cook.

Rin (Free!)

Rin Okumura (Blue Exorcist)

Rishi (OC, Desert Sands)

Rivan (Nora: The Last Chronicle of Devildom)

Rivaren (OC, The Kingship Quartet)

River (OC, Neverland Fairies)

- Born completely blind, River was often treated as if he was helpless and needed extra assistance, but it only served to frustrate him. He has always been perfectly capable of handling things himself, he just has a different way of doing it, but in the beginning, no one really seemed to understand that. So instead, some of the other fairies had taken to helping him and doing certain tasks for him. He knew they were just trying to help, but it was more of a hindrance than a help, and it was bothering him to no end.

- So, one day he left Pixie Hollow. He left and instead ventured deeper into the woods. If everyone was going to insist he was helpless, then he was going to prove to them that he was far from it. It was no surprise that his disappearance had others worried, but he avoided anyone who might be looking for him, knowing he had to succeed on his own, or no one would ever leave him be.

- So for three months, he lived in the woods and fended for himself, training himself to be strong and to be independent. And on his own, he fought off snakes, a hawk, and more than a few nests of wasps.When he finally returned to the Hollow, he came back scarred, but strong.

- He was welcomed back with open arms and worried voices, but he only smiled and shrugged. He knew what he had done, and they knew it too. He was stronger than they had all thought him to be, and he had proven exactly that. Now no one needed to help him with anything, for they all knew he’s perfectly capable on his own. Being blind has never stopped him from that.

Roane (OC, untitled novel)

Robin (Disney’s Robin Hood)

Rock (Nanbaka)

Rocky (Chicken Run)

Roman (RWBY)

Rome (OC, Neverland Fairies)

- It isn’t recommended to trust Rome, no matter how charismatic and charming he may be, or how much he may play on someone’s sympathies. He is a thief, and a bitter soul with a strong dislike of Queen Clarion. A light talent, Rome has all the same abilities as any other light fairy, but he was born different.

- While there are others still living in Pixie Hollow who have lost limbs or other body parts in events of conflict, or were tortured, Rome was born the way he is. Missing his right arm, and his left leg. As a result, he has had his fair share of struggles, and much of the time, he failed to keep up, and so he grew frustrated and angry and began to lash out at his fellow talent members.

Eventually, he actually ended up exiled for good from the Hollow, and now he’s gone rogue and is very much a problem to everyone in Pixie Hollow, and outside of it. Rome isn’t alone though. He has managed to gather his own followers, and has formed a criminal gang of sorts, and they have their own community deep in the farthest reaches of the forests. A place where all misfit fairies gather.

Ronin (OC, Neverland Fairies)

- Ronin is a scout. It’s in his job description to protect Pixie Hollow and everyone who lives there. He’s fast, and an agile fighter, but.. he also has a tendency to go off on his own to explore, as well as the fact that he does like to tease a bit. He’s a smooth talker, most of the time, and he’s fairly well-liked around the Hollow.

- However, he’s pretty bad at handling real affection directed toward him, especially the physical kind. As he usually is on guard and prepared for combat in some way or another, surprise affection can really get him on edge, and even if it’s something like an accidental kiss, he may run away like he’s been shocked, if only just to process his confusion. Fairies and sparrowmen do only feel one emotion at a time, after all.

Rowain (OC, Blossoms of the Heart)

Roux (OC, Neverland Fairies)

Roy (Full Metal Alchemist)

Roy G. Biv (Monsterkind)

Rukh (OC, Blossoms of the Heart)

Runaan (The Dragon Prince)

Rush (OC, Neverland Fairies)

- Rush is generally rather rude and pushy, and he prefers for things to go his way, otherwise he can be a bit of a brat. Kyra and Wren are usually fairly on top of keeping Rush’s bad temper in check, but sometimes this storm talent sparrowman can get quite a bit out of hand. He’s certainly not afraid to use a bit of lightning to get his point across, and he can be more than a little overconfident sometimes. He also has quite the tendency to mock others and likes to put himself first.

- Still, he’d be nothing without Kyra and Wren. He owes his very life to them, after he nearly got himself eaten by a snake, and the two of them put their lives on the line to save him. So, as cocky as he gets, he does have quite the soft spot for them, and will often actually follow them around when he’s not busy with other things. But if he’s not with them, and he’s not doing his job, he unfortunately can be found harassing another sparrowman named Sahar, with whom he actually has a fairly intense rivalry, and honestly the two seem to hate each other.

Rusty (OC, Blackwater)

Ryo (OC, Crossover)

- the god of fate, please resist the impulse to make short jokes or you may find that your ultimate fate and the end of the line arrives sooner than expected

Ryuji (Persona 5)

Ryuma (Shinzo/Mushrambo)

Ryuu (OC, Boku no Hero/My Hero Academia)

Sadir (OC, Blossoms of the Heart)

Sage (OC, The Kingship Quartet)

Sago (Shinzo/Mushrambo)

Sahar (OC, Neverland Fairies)

Saiqeit (OC, untitled novel)

Samon (Nanbaka)

Sanji (OC, Shinzo/Mushrambo)

Saru (OC, Shinzo/Mushrambo)

Sasha (OC, Pokemon)

Satan (Satan and Me)

Scar (The Lion King)

Scissor (Okashi na Shima no Peter Pan/Sweet Neverland)

Senji (Deadman Wonderland)

Sesshomaru (Inuyasha)

Shade (OC, Neverland Fairies)

Shahad (OC, The Edovin Trilogy)

Sharrkan (Magi: The Labyrinth of Magic)

Shere Khan (The Jungle Book)

Shetani (OC, The Lion King)

Shin-Ah (Akatsuki no Yona/Yona of the Dawn)

Shiro (Voltron Legendary Defender)

Shirou (Brand New Animal)

Shizuo (Durarara!!)

Shock (OC, Pokemon)

- Raichu

Shockwave (OC, My Little Pony: Friendship is Magic)

Shuseki (OC, My Hero/Boku no Hero Academia)

Sigma (OC, Viral Infection)

Silence (OC, The Intentions series)

Sindar (OC, Blossoms of the Heart)

Skek (OC, DnD, untitled novel)

- “Skek demands to be taken seriously!”

SkekMal (The Dark Crystal: Age of Resistance)

Soren (The Dragon Prince)

Soul (Soul Eater)

Spark (OC, Neverland Fairies)

- The friendliest ball of energy in Pixie Hollow, Spark is the type who generally seems completely innocent and naive, and like he has no idea that two of his closest friends apparently hate each other. However, he actually knows very well what’s going on, and actively inserts himself between Bear and Viper in order to keep the peace. Or sometimes he’ll drag Willow into it just to balance things out, and of course the effeminate sparrowman has a hard time refusing. Even Holly and Shade can’t say no when Spark asks them for the occasional favor.

Staz (Blood Lad)

Steele (Balto)

Stein (Soul Eater)

Sting (Fairy Tail)

Stormblade (OC, My Little Pony: Friendship is Magic)

Strix (OC, Neverland Fairies)

- Alongside Kestrel, Strix is one of the kindest souls anyone could ever know, and he will go out of his way to make sure others are feeling comfortable and happy, especially new arrivals, no matter their talent. It was honestly by pure coincidence that he wasn’t the one helping Tinker Bell settle in when she was trying out all of the other talents.

- He had actually been on his way to do just that when he’d seen that the other fairies seemed to have things well in hand. Though.. he did have a very terrified baby bird to handle after Fawn had left Tinker Bell alone with it. Still, he is proud of how far Tink has come since the start, like a father watching a child grow. It’s only a shame he will never be able to actually say so.

- Because Strix is mute. And no, he wasn’t born that way. When he was new to Pixie Hollow himself, he was as vocal as any other fairy or sparrowman, and often he spoke up to volunteer his help. As well, he was the type who loved to sing, and in fact, his voice was known to be one of the most beautiful whenever he had an audience, intentionally or not.

- He sang lullabies and gentle tunes, especially to frightened animals in need of comfort, and to other fairies who needed just the same. However, his voice was violently stripped from him, and now he can’t do much more than give a soft wheeze or a huff every now and again. But.. the worst thing is, his voice wasn’t even the first injury he’d suffered.

Styx (OC, Neverland Fairies)

- Stay. Away. From. Styx. At least, that’s what most tend to tell the newcomers. He is the scout that other scouts warn about. He’s highly dangerous on his own, and has actually a bit of a violent and aggressive tendency. And you know, when even a scout is unsettled by their own talent member, it’s bad. However, he’s really only a problem when he’s left to his own devices and doesn’t have his best friend to manage him.

- That best friend, being Ratchet. Styx has been around longer than Ratchet has. Quite a while longer in fact, and honestly, Tick and Queen Clarion may be the only ones who actually do know how long Styx has been around. Queen Clarion doesn’t discuss Styx’s behavior, except to say that he never used to be this way. And there won’t be much to get out of Tick either, except the very same.

- However, if pressed further, only Tick will give a little more, but his answer is still vague. ‘What happened to make Styx like this?’ ‘Three.’ That’s all Tick will give, and most are nervous to ask Styx himself. The truth is, Styx has nearly died. Three times. Each one worse and more traumatic than the last. And now he has become almost like a cold, calculating predator. When he’s not with Ratchet, that is.

- To those who have seen the dark side of Styx, tend to avoid him, but when he’s with Ratchet, he’s like a completely different sparrowman. He’s enjoying himself, and laughing and even getting into just some general mischief, which is of course much to the chagrin of Yarrow, who unfortunately often gets dragged along in Ratchet’s plans.

Sugino (Tactics)

Sumu (OC, The Lion King)

Sun (RWBY)

Sun (OC, Blossoms of the Heart)

Sunny Pine (OC, My Little Pony: Friendship is Magic)

Surefire Arrow (OC, My Little Pony: Friendship is Magic)

Sval (OC, untitled novel)

Swift (OC, Neverland Fairies)

Syaoran (Tsubasa Reservoir Chronicles)

Syuro (OC, untitled novel)

Taavi (OC, untitled novel)

Taeval (OC, Blossoms of the Heart)

Taigus (OC, untitled novel)

Taiyou (OC, untitled novel)

Takhal (OC, Blossoms of the Heart)

Tamani (OC, The Lion King)

Tatizo (OC, The Lion King)

Tempest (OC, My Little Pony: Friendship is Magic)

Terra (OC, untitled novel)

Terra (Kingdom Hearts)

Terence (Neverland Fairies)

Thomas O’Malley (Aristocats)

Thompson (Black Butler)

Thor (Kamigami no Asobi)

- Norse god of thunder

Tick (OC, Neverland Fairies)

- A more mysterious fellow than most, Tick keeps to himself and hardly ever ventures away from his work. He is a tinker, but he is a very unique sort of tinker. He keeps watch of the passing of time in Pixie Hollow, and he is the only one who does. Just as Zarina found her own unique talent within the broader subject, Tick found his own unique subset of tinkering. Clockwork tinkering. Though while discovering his unique skill, it wasn’t always as smooth-going as it is now. He actually suffered a bit of backlash from his own projects, and now has just a bit of trouble seeing out of his left eye.

- However, it is ultimately thanks to him that there are proper schedules, and the seasons are tracked and recorded correctly. He may be a little odd to some, but he knows the balance of time, and how important it is to keep things on time. However, there is something else to his actions. Every now and again, Tick ventures away from Tinker’s Nook, but it isn’t clear where he disappears to. All that is known, is that he keeps a second record of the days, and disappears with it for an hour or so, returning without the extra records.

Timber (Black Butler)

Tink (Okashi na Shima no Peter Pan/Sweet Neverland)

Titan (OC, Dragonmist)

- tarantula-taur

Titian (OC, Blossoms of the Heart)

Titus (Seven Princes of the Thousand-Year Labyrinth)

Tjarron (OC, Brightwire)

Tobias (Animorphs)

Todoroki (Boku no Hero/My Hero Academia)

Tokiya (Time Guardian)

Tokoyami (Boku no Hero/My Hero Academia)

Toris (OC, Blossoms of the Heart)

Torren (OC, Neverland Fairies)

- Torren is very much the strong, silent type. He only speaks when he needs to, and especially when it’s really something important to say. Most of the time though, this big guy usually just sort of grunts in acknowledgement, or shrugs or shakes his head. Not many actual spoken words needed to get his point across. He’s a gentle giant most of the time as well, but it isn’t wise to anger this particular sparrowman. He is a lightning talent after all, and he is very protective of Umbra and Lux.

Train (Black Cat)

Travis (OC, Camp Camp)

Tyr (OC, Neverland Fairies)

- A leader among scouts, Tyr doesn’t actually go out and fight or patrol as much as Nyx does. Mostly, he trusts her judgement and lets her handle that side of things unless he’s needed in action, and instead he usually handles the more diplomatic side of it all, and well.. paperwork and documentation. Written records of patrols, and encounters, and all that sort of thing. He hates the paperwork part of his job, and can actually often be found skipping his duties on that front.

- He’s great at the social and personal aspect, and certainly a skilled fighter, but he’d just rather not do the paperwork. More often than once, he has actually been found skipping those duties to instead just explore and enjoy some more frivolous activities, as well as interacting with other fairies and sparrowmen. Often he has been escorted back to his paperwork by two of the scouts under his direct command, Romulus and Kyrie.

Tyrian (OC, The Edovin Trilogy)

Tzekhal (OC, untitled novel)

Tzuriel (OC, untitled novel)

U-1146/White Blood Cell (Cells at Work)

Ueki (Law of Ueki)

Umbra (OC, Neverland Fairies)

- Everyone knows Umbra, and everyone sincerely enjoys his company. Of course, this is with the exception of newer fairies, but everyone gets to know him sooner or later, because he loves welcoming everyone new, whether they’re his fellow talent members or not. Umbra is highly social, and genuinely sweet and kind to everyone. Of course, this also means that he is extremely popular, and his good looks of course add to that as well, much to the severe annoyance of Lux.

Undertaker (Black Butler)

Uno (Nanbaka)

Uno (OC, Shinzo/Mushrambo)

Uriel (Satan and Me)

Utsuho (Itsuwaribito)

Vafa (Arabian Dreams)

Valiance (OC, The Stormfront Chronicles)

Varian (The Tangled Series)

Vasha (OC, Blossoms of the Heart)

Venn (OC, Neverland Fairies)

Venture (OC, My Little Pony: Friendship is Magic)

Vheildar (OC, Ascension)

Vince (OC, Blossoms of the Heart)

Viper (OC, Neverland Fairies)

Warren (OC, Blossoms of the Heart)

Watanuki (xxxHolic)

Wesley (Oz+)

Weston (OC, Beyond the Rainbow)

White Joker (Kuni no Alice)

Willow (OC, Neverland Fairies)

- At first glance, most would look at Willow and think that he’s female. He certainly has a very slender, and almost effeminate body shape, and his long hair doesn’t help either. All around, he genuinely appears female. Even his name could be considered effeminate. However, he is as male as they come, and he does actually take a firm dislike to being mistaken for a girl. Honestly, if someone were to call him a girl too many times, they should be very prepared for a willow whip to the face.

He’s fairly tolerant if it isn’t too often, but.. It’s generally better not to push it too much. Generally, Willow is kind and easy-going, and he takes most things in stride. He’s always willing to help out if he can, except.. If it puts him in a rather demeaning situation. He’ll go along with things for a while, but if he feels at all demeaned or uncomfortable, he will make his feelings known and will stand firm on his refusal to participate.

- There has been the occasional instance of a fairy convincing him to try on a dress, but it doesn’t last long before he gets very annoyed. He also has been flirted with by a few other sparrowmen before they realized he was male like them. Willow’s first appearance in Pixie Hollow was a bit of an event in and of itself, and there was certainly confusion about his gender even then, as his long hair masked most of his figure and even Queen Clarion was fooled for a moment.

- Once he’d settled in with the other garden talents though, it seemed things would be much less confusing, and certainly less exciting, from then on. And for a while, it was. Things had settled down and life went on as it always had. At least.. Until what Willow will now only ever refer to, as the Incident.

Wisp (OC, Neverland Fairies)

Wit (OC, Beast in the Bottle)

Wizardmon (Digimon)

Wolf (OC, Neverland Fairies)

- In the case of this particular sparrowman, the term ‘lone wolf’ isn’t just an expression. This animal talent really tends to be found on his own more often than not, and he is usually working with animals like wolf pups or fox kits, even the occasional bear cub tends to be in his charge. Why? Because despite how he looks, Wolf is actually one of the physically strongest sparrowmen in all of Pixie Hollow, following close behind Ridge and Hatch. He can handle an unruly bear cub, or a mischievous fox kit, no help needed.

- So he tends to be by himself with only animals for company, and occasionally comes across as having little emotion or being somewhat cold. He does have a reckless streak though, and tends to act before he thinks, especially if he feels that what he’s doing is right. Hm. Maybe he should have been a scout instead of an animal talent. But, well, it is what it is. And of course, there is unsurprisingly a reason for his loner behavior.

- There is only one other individual he ever felt remotely close to, even to the point of an almost older/younger sibling dynamic. And that is Michal. Only ever able to see each other from opposite sides of the winter border, Michal had been born a few years before Wolf, and Wolf has always looked up to him, feeling a bond between them that couldn’t be explained.

- And now, the pair of them are excited to be able to visit each other across the border as well, thanks to Tinker Bell and Periwinkle. However, recently, Michal has disappeared, and Wolf is trying to find out why.

Xander (OC, The Faded Legends Saga)

Xavier (The Tangled Series)

Xelloss (The Slayers)

Yamato (Nanbaka)

Yarrow (OC, Neverland Fairies)

- Yarrow tends to be the more serious type, taking his role as healer very seriously and not taking no for an answer, especially if he knows someone needs help but is refusing to accept it. He has even been known to purposely wound himself and perform complex procedures on himself while conscious, to demonstrate that it can be done and there shouldn’t be any concern about it.

- He’s very direct and straightforward, and maybe sometimes the way he goes about things can be considered a little extreme, but he’s practical and everything he does has its purpose. And his life has been relatively calm for the most part. At least.. It was until Ratchet fell into his life. As a matter of fact, it was quite a literal incident, in which Ratchet came crashing through the roof of Yarrow’s home.

Yasuo (OC, untitled novel)

Yogi (Karneval)

Yosuke (Persona 4)

Yudar (OC, the Edovin Trilogy)

Yukito (OC, Blossoms of the Heart)

Yukito (OC, The Cat Returns)

Yuliy (Sirius the Jaeger)

Yuri (OC, Blossoms of the Heart)

Yuri Plisetsky (Yuri on Ice)

Zack (OC, Camp Camp)

Zeig (OC, The Edovin Trilogy)

Zeik (OC, Shinzo/Mushrambo)